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At Home
Anton Chekhov
I
THE Don railway. A quiet, cheerless station, white and solitary in the steppe, with its walls baking in
the sun, without a speck of shade, and, it seems, without a human being. The train goes on after leaving
one here; the sound of it is scarcely audible and dies away at last. Outside the station it is a desert, and
there are no horses but one's own. One gets into the carriage -- which is so pleasant after the train -- and
is borne along the road through the steppe, and by degrees there are unfolded before one views such as
one does not see near Moscow -- immense, endless, fascinating in their monotony. The steppe, the
steppe, and nothing more; in the distance an ancient barrow or a windmill; ox-waggons laden with coal
trail by. . . . Solitary birds fly low over the plain, and a drowsy feeling comes with the monotonous beat
of their wings. It is hot. Another hour or so passes, and still the steppe, the steppe, and still in the
distance the barrow. The driver tells you something, some long unnecessary tale, pointing into the
distance with his whip. And tranquillity takes possession of the soul; one is loth to think of the past. . . .
A carriage with three horses had been sent to fetch Vera Ivanovna Kardin. The driver put in her luggage
and set the harness to rights.
"Everything just as it always has been," said Vera, looking about her. "I was a little girl when I was here
last, ten years ago. I remember old Boris came to fetch me then. Is he still living, I wonder?"
The driver made no reply, but, like a Little Russian, looked at her angrily and clambered on to the box.
It was a twenty-mile drive from the station, and Vera, too, abandoned herself to the charm of the steppe,
forgot the past, and thought only of the wide expanse, of the freedom. Healthy, clever, beautiful, and
young -- she was only three-and-twenty -- she had hitherto lacked nothing in her life but just this space
and freedom.
The steppe, the steppe. . . . The horses trotted, the sun rose higher and higher; and it seemed to Vera
that never in her childhood had the steppe been so rich, so luxuriant in June; the wild flowers were
green, yellow, lilac, white, and a fragrance rose from them and from the warmed earth; and there were
strange blue birds along the roadside. . . . Vera had long got out of the habit of praying, but now,
struggling with drowsiness, she murmured:
"Lord, grant that I may be happy here."
And there was peace and sweetness in her soul, and she felt as though she would have been glad to
drive like that all her life, looking at the steppe.
Suddenly there was a deep ravine overgrown with oak saplings and alder-trees; there was a moist
feeling in the air -- there must have been a spring at the bottom. On the near side, on the very edge of
the ravine, a covey of partridges rose noisily. Vera remembered that in old days they used to go for
evening walks to this ravine; so it must be near home! And now she could actually see the poplars, the
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barn, black smoke rising on one side -- they were burning old straw. And there was Auntie Dasha
coming to meet her and waving her handkerchief; grandfather was on the terrace. Oh dear, how happy
she was!
"My darling, my darling!" cried her aunt, shrieking as though she were in hysterics. "Our real mistress
has come! You must understand you are our mistress, you are our queen! Here everything is yours! My
darling, my beauty, I am not your aunt, but your willing slave!"
Vera had no relations but her aunt and her grandfather; her mother had long been dead; her father, an
engineer, had died three months before at Kazan, on his way from Siberia. Her grandfather had a big
grey beard. He was stout, red-faced, and asthmatic, and walked leaning on a cane and sticking his
stomach out. Her aunt, a lady of forty-two, drawn in tightly at the waist and fashionably dressed with
sleeves high on the shoulder, evidently tried to look young and was still anxious to be charming; she
walked with tiny steps with a wriggle of her spine.
"Will you love us?" she said, embracing Vera, "You are not proud?"
At her grandfather's wish there was a thanksgiving service, then they spent a long while over dinner --
and Vera's new life began. She was given the best room. All the rugs in the house had been put in it,
and a great many flowers; and when at night she lay down in her snug, wide, very soft bed and covered
herself with a silk quilt that smelt of old clothes long stored away, she laughed with pleasure. Auntie
Dasha came in for a minute to wish her good-night.
"Here you are home again, thank God," she said, sitting down on the bed. "As you see, we get along
very well and have everything we want. There's only one thing: your grandfather is in a poor way! A
terribly poor way! He is short of breath and he has begun to lose his memory. And you remember how
strong, how vigorous, he used to be! There was no doing anything with him. . . . In old days, if the
servants didn't please him or anything else went wrong, he would jump up at once and shout: 'Twenty-
five strokes! The birch!' But now he has grown milder and you never hear him. And besides, times are
changed, my precious; one mayn't beat them nowadays. Of course, they oughtn't to be beaten, but they
need looking after."
"And are they beaten now, auntie?" asked Vera.
"The steward beats them sometimes, but I never do, bless their hearts! And your grandfather sometimes
lifts his stick from old habit, but he never beats them."
Auntie Dasha yawned and crossed herself over her mouth and her right ear.
"It's not dull here?" Vera inquired.
"What shall I say? There are no landowners living here now, but there have been works built near,
darling, and there are lots of engineers, doctors, and mine managers. Of course, we have theatricals and
concerts, but we play cards more than anything. They come to us, too. Dr. Neshtchapov from the works
comes to see us -- such a handsome, interesting man! He fell in love with your photograph. I made up
my mind: he is Verotchka's destiny, I thought. He's young, handsome, he has means -- a good match, in
fact. And of course you're a match for any one. You're of good family. The place is mortgaged, it's true,
but it's in good order and not neglected; there is my share in it, but it will all come to you; I am your
willing slave. And my brother, your father, left you fifteen thousand roubles. . . . But I see you can't
ads:
keep your eyes open. Sleep, my child."
Next day Vera spent a long time walking round the house. The garden, which was old and unattractive,
lying inconveniently upon the slope, had no paths, and was utterly neglected; probably the care of it
was regarded as an unnecessary item in the management. There were numbers of grass-snakes.
Hoopoes flew about under the trees calling "Oo-too-toot!" as though they were trying to remind her of
something. At the bottom of the hill there was a river overgrown with tall reeds, and half a mile beyond
the river was the village. From the garden Vera went out into the fields; looking into the distance,
thinking of her new life in her own home, she kept trying to grasp what was in store for her. The space,
the lovely peace of the steppe, told her that happiness was near at hand, and perhaps was here already;
thousands of people, in fact, would have said: "What happiness to be young, healthy, well-educated, to
be living on one's own estate!" And at the same time the endless plain, all alike, without one living
soul, frightened her, and at moments it was clear to her that its peaceful green vastness would swallow
up her life and reduce it to nothingness. She was very young, elegant, fond of life; she had finished her
studies at an aristocratic boarding-school, had learnt three languages, had read a great deal, had
travelled with her father -- and could all this have been meant to lead to nothing but settling down in a
remote country-house in the steppe, and wandering day after day from the garden into the fields and
from the fields into the garden to while away the time, and then sitting at home listening to her
grandfather's breathing? But what could she do? Where could she go? She could find no answer, and as
she was returning home she doubted whether she would be happy here, and thought that driving from
the station was far more interesting than living here.
Dr. Neshtchapov drove over from the works. He was a doctor, but three years previously he had taken a
share in the works, and had become one of the partners; and now he no longer looked upon medicine as
his chief vocation, though he still practised. In appearance he was a pale, dark man in a white waistcoat,
with a good figure; but to guess what there was in his heart and his brain was difficult. He kissed
Auntie Dasha's hand on greeting her, and was continually leaping up to set a chair or give his seat to
some one. He was very silent and grave all the while, and, when he did speak, it was for some reason
impossible to hear and understand his first sentence, though he spoke correctly and not in a low voice.
"You play the piano?" he asked Vera, and immediately leapt up, as she had dropped her handkerchief.
He stayed from midday to midnight without speaking, and Vera found him very unattractive. She
thought that a white waistcoat in the country was bad form, and his elaborate politeness, his manners,
and his pale, serious face with dark eyebrows, were mawkish; and it seemed to her that he was
perpetually silent, probably because he was stupid. When he had gone her aunt said enthusiastically:
"Well? Isn't he charming?"
II
Auntie Dasha looked after the estate. Tightly laced, with jingling bracelets on her wrists, she went into
the kitchen, the granary, the cattle-yard, tripping along with tiny steps, wriggling her spine; and
whenever she talked to the steward or to the peasants, she used, for some reason, to put on a pince-nez.
Vera's grandfather always sat in the same place, playing patience or dozing. He ate a very great deal at
dinner and supper; they gave him the dinner cooked to-day and what was left from yesterday, and cold
pie left from Sunday, and salt meat from the servants' dinner, and he ate it all greedily. And every
dinner left on Vera such an impression, that when she saw afterwards a flock of sheep driven by, or
flour being brought from the mill, she thought, "Grandfather will eat that." For the most part he was
silent, absorbed in eating or in patience; but it sometimes happened at dinner that at the sight of Vera he
would be touched and say tenderly:
"My only grandchild! Verotchka!"
And tears would glisten in his eyes. Or his face would turn suddenly crimson, his neck would swell, he
would look with fury at the servants, and ask, tapping with his stick:
"Why haven't you brought the horse-radish?"
In winter he led a perfectly inactive existence; in summer he sometimes drove out into the fields to look
at the oats and the hay; and when he came back he would flourish his stick and declare that everything
was neglected now that he was not there to look after it.
"Your grandfather is out of humour," Auntie Dasha would whisper. "But it's nothing now to what it
used to be in the old days: 'Twenty-five strokes! The birch!' "
Her aunt complained that every one had grown lazy, that no one did anything, and that the estate
yielded no profit. Indeed, there was no systematic farming; they ploughed and sowed a little simply
from habit, and in reality did nothing and lived in idleness. Meanwhile there was a running to and fro,
reckoning and worrying all day long; the bustle in the house began at five o'clock in the morning; there
were continual sounds of "Bring it," "Fetch it," "Make haste," and by the evening the servants were
utterly exhausted. Auntie Dasha changed her cooks and her housemaids every week; sometimes she
discharged them for immorality; sometimes they went of their own accord, complaining that they were
worked to death. None of the village people would come to the house as servants; Auntie Dasha had to
hire them from a distance. There was only one girl from the village living in the house, Alyona, and she
stayed because her whole family -- old people and children -- were living upon her wages. This Alyona,
a pale, rather stupid little thing, spent the whole day turning out the rooms, waiting at table, heating the
stoves, sewing, washing; but it always seemed as though she were only pottering about, treading
heavily with her boots, and were nothing but a hindrance in the house. In her terror that she might be
dismissed and sent home, she often dropped and broke the crockery, and they stopped the value of it out
of her wages, and then her mother and grandmother would come and bow down at Auntie Dasha's feet.
Once a week or sometimes oftener visitors would arrive. Her aunt would come to Vera and say:
"You should sit a little with the visitors, or else they'll think that you are stuck up."
Vera would go in to the visitors and play vint with them for hours together, or play the piano for the
visitors to dance; her aunt, in high spirits and breathless from dancing, would come up and whisper to
her:
"Be nice to Marya Nikiforovna."
On the sixth of December, St. Nikolay's Day, a large party of about thirty arrived all at once; they
played vint until late at night, and many of them stayed the night. In the morning they sat down to cards
again, then they had dinner, and when Vera went to her room after dinner to rest from conversation and
tobacco smoke, there were visitors there too, and she almost wept in despair. And when they began to
get ready to go in the evening, she was so pleased they were going at last, that she said:
"Do stay a little longer."
She felt exhausted by the visitors and constrained by their presence; yet every day, as soon as it began
to grow dark, something drew her out of the house, and she went out to pay visits either at the works or
at some neighbours', and then there were cards, dancing, forfeits, suppers. . . .The young people in the
works or in the mines sometimes sang Little Russian songs, and sang them very well. It made one sad
to hear them sing. Or they all gathered together in one room and talked in the dusk of the mines, of the
treasures that had once been buried in the steppes, of Saur's Grave. . . . Later on, as they talked, a shout
of "Help!" sometimes reached them. It was a drunken man going home, or some one was being robbed
by the pit near by. Or the wind howled in the chimneys, the shutters banged; then, soon afterwards, they
would hear the uneasy church bell, as the snow-storm began.
At all the evening parties, picnics, and dinners, Auntie Dasha was invariably the most interesting
woman and the doctor the most interesting man. There was very little reading either at the works or at
the country-houses; they played only marches and polkas; and the young people always argued hotly
about things they did not understand, and the effect was crude. The discussions were loud and heated,
but, strange to say, Vera had nowhere else met people so indifferent and careless as these. They seemed
to have no fatherland, no religion, no public interests. When they talked of literature or debated some
abstract question, it could be seen from Dr. Neshtchapov's face that the question had no interest for him
whatever, and that for long, long years he had read nothing and cared to read nothing. Serious and
expressionless, like a badly painted portrait, for ever in his white waistcoat, he was silent and
incomprehensible as before; but the ladies, young and old, thought him interesting and were
enthusiastic over his manners. They envied Vera, who appeared to attract him very much. And Vera
always came away from the visits with a feeling of vexation, vowing inwardly to remain at home; but
the day passed, the evening came, and she hurried off to the works again, and it was like that almost all
the winter.
She ordered books and magazines, and used to read them in her room. And she read at night, lying in
bed. When the clock in the corridor struck two or three, and her temples were beginning to ache from
reading, she sat up in bed and thought, "What am I to do? Where am I to go?" Accursed, importunate
question, to which there were a number of ready-made answers, and in reality no answer at all.
Oh, how noble, how holy, how picturesque it must be to serve the people, to alleviate their sufferings,
to enlighten them! But she, Vera, did not know the people. And how could she go to them? They were
strange and uninteresting to her; she could not endure the stuffy smell of the huts, the pot-house oaths,
the unwashed children, the women's talk of illnesses. To walk over the snow-drifts, to feel cold, then to
sit in a stifling hut, to teach children she disliked -- no, she would rather die! And to teach the peasants'
children while Auntie Dasha made money out of the pot-houses and fined the peasants -- it was too
great a farce! What a lot of talk there was of schools, of village libraries, of universal education; but if
all these engineers, these mine-owners and ladies of her acquaintance, had not been hypocrites, and
really had believed that enlightenment was necessary, they would not have paid the schoolmasters
fifteen roubles a month as they did now, and would not have let them go hungry. And the schools and
the talk about ignorance -- it was all only to stifle the voice of conscience because they were ashamed to
own fifteen or thirty thousand acres and to be indifferent to the peasants' lot. Here the ladies said about
Dr. Neshtchapov that he was a kind man and had built a school at the works. Yes, he had built a school
out of the old bricks at the works for some eight hundred roubles, and they sang the prayer for "long
life" to him when the building was opened, but there was no chance of his giving up his shares, and it
certainly never entered his head that the peasants were human beings like himself, and that they, too,
needed university teaching, and not merely lessons in these wretched schools.
And Vera felt full of anger against herself and every one else. She took up a book again and tried to
read it, but soon afterwards sat down and thought again. To become a doctor? But to do that one must
pass an examination in Latin; besides, she had an invincible repugnance to corpses and disease. It
would be nice to become a mechanic, a judge, a commander of a steamer, a scientist; to do something
into which she could put all her powers, physical and spiritual, and to be tired out and sleep soundly at
night; to give up her life to something that would make her an interesting person, able to attract
interesting people, to love, to have a real family of her own. . . . But what was she to do? How was she
to begin?
One Sunday in Lent her aunt came into her room early in the morning to fetch her umbrella. Vera was
sitting up in bed clasping her head in her hands, thinking.
"You ought to go to church, darling," said her aunt, "or people will think you are not a believer."
Vera made no answer.
"I see you are dull, poor child," said Auntie Dasha, sinking on her knees by the bedside; she adored
Vera. "Tell me the truth, are you bored?"
"Dreadfully."
"My beauty, my queen, I am your willing slave, I wish you nothing but good and happiness. . . . Tell
me, why don't you want to marry Nestchapov? What more do you want, my child? You must forgive
me, darling; you can't pick and choose like this, we are not princes. . . . Time is passing, you are not
seventeen. . . . And I don't understand it! He loves you, idolises you!"
"Oh, mercy!" said Vera with vexation. "How can I tell? He sits dumb and never says a word."
"He's shy, darling. . . . He's afraid you'll refuse him!"
And when her aunt had gone away, Vera remained standing in the middle of her room uncertain
whether to dress or to go back to bed. The bed was hateful; if one looked out of the window there were
the bare trees, the grey snow, the hateful jackdaws, the pigs that her grandfather would eat. . . .
"Yes, after all, perhaps I'd better get married!" she thought.
III
For two days Auntie Dasha went about with a tear-stained and heavily powdered face, and at dinner she
kept sighing and looking towards the ikon. And it was impossible to make out what was the matter with
her. But at last she made up her mind, went in to Vera, and said in a casual way:
"The fact is, child, we have to pay interest on the bank loan, and the tenant hasn't paid his rent. Will you
let me pay it out of the fifteen thousand your papa left you?"
All day afterwards Auntie Dasha spent in making cherry jam in the garden. Alyona, with her cheeks
flushed with the heat, ran to and from the garden to the house and back again to the cellar.
When Auntie Dasha was making jam with a very serious face as though she were performing a
religious rite, and her short sleeves displayed her strong, little, despotic hands and arms, and when the
servants ran about incessantly, bustling about the jam which they would never taste, there was always a
feeling of martyrdom in the air. . . .
The garden smelt of hot cherries. The sun had set, the charcoal stove had been carried away, but the
pleasant, sweetish smell still lingered in the air. Vera sat on a bench in the garden and watched a new
labourer, a young soldier, not of the neighbourhood, who was, by her express orders, making new
paths. He was cutting the turf with a spade and heaping it up on a barrow.
"Where were you serving?" Vera asked him.
"At Berdyansk."
"And where are you going now? Home?"
"No," answered the labourer. "I have no home."
"But where were you born and brought up?"
"In the province of Oryol. Till I went into the army I lived with my mother, in my step-father's house;
my mother was the head of the house, and people looked up to her, and while she lived I was cared for.
But while I was in the army I got a letter telling me my mother was dead. . . . And now I don't seem to
care to go home. It's not my own father, so it's not like my own home."
"Then your father is dead?"
"I don't know. I am illegitimate."
At that moment Auntie Dasha appeared at the window and said:
"Il ne faut pas parler aux gens. . . . Go into the kitchen, my good man. You can tell your story there,"
she said to the soldier.
And then came as yesterday and every day supper, reading, a sleepless night, and endless thinking about
the same thing. At three o'clock the sun rose; Alyona was already busy in the corridor, and Vera was
not asleep yet and was trying to read. She heard the creak of the barrow: it was the new labourer at
work in the garden. . . . Vera sat at the open window with a book, dozed, and watched the soldier
making the paths for her, and that interested her. The paths were as even and level as a leather strap,
and it was pleasant to imagine what they would be like when they were strewn with yellow sand.
She could see her aunt come out of the house soon after five o'clock, in a pink wrapper and curl-papers.
She stood on the steps for three minutes without speaking, and then said to the soldier:
"Take your passport and go in peace. I can't have any one illegitimate in my house."
An oppressive, angry feeling sank like a stone on Vera's heart. She was indignant with her aunt, she
hated her; she was so sick of her aunt that her heart was full of misery and loathing. But what was she
to do? To stop her mouth? To be rude to her? But what would be the use? Suppose she struggled with
her, got rid of her, made her harmless, prevented her grandfather from flourishing his stick -- what
would be the use of it? It would be like killing one mouse or one snake in the boundless steppe. The
vast expanse, the long winters, the monotony and dreariness of life, instil a sense of helplessness; the
position seems hopeless, and one wants to do nothing -- everything is useless.
Alyona came in, and bowing low to Vera, began carrying out the arm-chairs to beat the dust out of
them.
"You have chosen a time to clean up," said Vera with annoyance. "Go away."
Alyona was overwhelmed, and in her terror could not understand what was wanted of her. She began
hurriedly tidying up the dressing-table.
"Go out of the room, I tell you," Vera shouted, turning cold; she had never had such an oppressive
feeling before. "Go away!"
Alyona uttered a sort of moan, like a bird, and dropped Vera's gold watch on the carpet.
"Go away!" Vera shrieked in a voice not her own, leaping up and trembling all over. "Send her away;
she worries me to death!" she went on, walking rapidly after Alyona down the passage, stamping her
feet. "Go away! Birch her! Beat her!" Then suddenly she came to herself, and just as she was,
unwashed, uncombed, in her dressing-gown and slippers, she rushed out of the house. She ran to the
familiar ravine and hid herself there among the sloe-trees, so that she might see no one and be seen by
no one. Lying there motionless on the grass, she did not weep, she was not horror-stricken, but gazing
at the sky open-eyed, she reflected coldly and clearly that something had happened which she could
never forget and for which she could never forgive herself all her life.
"No, I can't go on like this," she thought. "It's time to take myself in hand, or there'll be no end to it. . . .
I can't go on like this. . . ."
At midday Dr. Neshtchapov drove by the ravine on his way to the house. She saw him and made up her
mind that she would begin a new life, and that she would make herself begin it, and this decision
calmed her. And following with her eyes the doctor's well-built figure, she said, as though trying to
soften the crudity of her decision:
"He's a nice man. . . . We shall get through life somehow."
She returned home. While she was dressing, Auntie Dasha came into the room, and said:
"Alyona upset you, darling; I've sent her home to the village. Her mother's given her a good beating and
has come here, crying."
"Auntie," said Vera quickly, "I'm going to marry Dr. Neshtchapov. Only talk to him yourself . . . I
can't."
And again she went out into the fields. And wandering aimlessly about, she made up her mind that
when she was married she would look after the house, doctor the peasants, teach in the school, that she
would do all the things that other women of her circle did. And this perpetual dissatisfaction with
herself and every one else, this series of crude mistakes which stand up like a mountain before one
whenever one looks back upon one's past, she would accept as her real life to which she was fated, and
she would expect nothing better. . . . Of course there was nothing better! Beautiful nature, dreams,
music, told one story, but reality another. Evidently truth and happiness existed somewhere outside real
life. . . . One must give up one's own life and merge oneself into this luxuriant steppe, boundless and
indifferent as eternity, with its flowers, its ancient barrows, and its distant horizon, and then it would be
well with one. . . .
A month later Vera was living at the works.
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