room with a stone chimney, and that again into a small room with
a hay bed, a chair with a tin basin on it, a shelf and some pegs.
A small window looks on the lake, and the glories of the sunrises
which I see from it are indescribable. Neither of my doors has a
lock, and, to say the truth, neither will shut, as the wood has
swelled. Below the house, on the stream which issues from the
lake, there is a beautiful log dairy, with a water wheel outside,
used for churning. Besides this, there are a corral, a shed for
the wagon, a room for the hired man, and shelters for horses and
weakly calves. All these things are necessaries at this height.
The ranchmen are two Welshmen, Evans and Edwards, each with a
wife and family. The men are as diverse as they can be.
"Griff," as Evans is called, is short and small, and is
hospitable, careless, reckless, jolly, social, convivial,
peppery, good natured, "nobody's enemy but his own." He had the
wit and taste to find out Estes Park, where people have found him
out, and have induced him to give them food and lodging, and add
cabin to cabin to take them in. He is a splendid shot, an expert
and successful hunter, a bold mountaineer, a good rider, a
capital cook, and a generally "jolly fellow." His cheery laugh
rings through the cabin from the early morning, and is
contagious, and when the rafters ring at night with such songs as
"D'ye ken John Peel?" "Auld Lang Syne," and "John Brown," what
would the chorus be without poor "Griff's" voice? What would
Estes Park be without him, indeed? When he went to Denver lately
we missed him as we should have missed the sunshine, and perhaps
more. In the early morning, when Long's Peak is red, and the
grass crackles with the hoar-frost, he arouses me with a cheery
thump on my door. "We're going cattle-hunting, will you come?"
or, "Will you help to drive in the cattle? You can take your
pick of the horses. I want another hand." Free-hearted, lavish,
popular, poor "Griff" loves liquor too well for his prosperity,
and is always tormented by debt. He makes lots of money, but
puts it into "a bag with holes." He has fifty horses and 1,000
head of cattle, many of which are his own, wintering up here, and
makes no end of money by taking in people at eight dollars a
week, yet it all goes somehow. He has a most industrious wife, a
girl of seventeen, and four younger children, all musical, but
the wife has to work like a slave; and though he is a kind
husband, her lot, as compared with her lord's, is like that of a
squaw. Edwards, his partner, is his exact opposite, tall, thin,
and condemnatory looking, keen, industrious, saving, grave, a
teetotaler, grieved for all reasons at Evans's follies, and
rather grudging; as naturally unpopular as Evans is popular; a
"decent man," who, with his industrious wife, will certainly make
money as fast as Evans loses it.
I pay eight dollars a week, which includes the unlimited use of a
horse, when one can be found and caught. We breakfast at seven
on beef, potatoes, tea, coffee, new bread, and butter. Two
pitchers of cream and two of milk are replenished as fast as they
are exhausted. Dinner at twelve is a repetition of the
breakfast, but with the coffee omitted and a gigantic pudding
added. Tea at six is a repetition of breakfast. "Eat whenever
you are hungry, you can always get milk and bread in the
kitchen," Evans says--"eat as much as you can, it'll do you