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A Dead Body
Anton Chekhov
A STILL August night. A mist is rising slowly from the fields and casting an opaque veil
over everything within eyesight. Lighted up by the moon, the mist gives the impression at
one moment of a calm, boundless sea, at the next of an immense white wall. The air is
damp and chilly. Morning is still far off. A step from the bye-road which runs along the
edge of the forest a little fire is gleaming. A dead body, covered from head to foot with new
white linen, is lying under a young oak-tree. A wooden ikon is lying on its breast. Beside
the corpse almost on the road sits the "watch" -- two peasants performing one of the most
disagreeable and uninviting of peasants' duties. One, a tall young fellow with a scarcely
perceptible moustache and thick black eyebrows, in a tattered sheepskin and bark shoes, is
sitting on the wet grass, his feet stuck out straight in front of him, and is trying to while
away the time with work. He bends his long neck, and breathing loudly through his nose,
makes a spoon out of a big crooked bit of wood; the other -- a little scraggy, pock-marked
peasant with an aged face, a scanty moustache, and a little goat's beard -- sits with his hands
dangling loose on his knees, and without moving gazes listlessly at the light. A small camp-
fire is lazily burning down between them, throwing a red glow on their faces. There is
perfect stillness. The only sounds are the scrape of the knife on the wood and the crackling
of damp sticks in the fire.
"Don't you go to sleep, Syoma . . ." says the young man.
"I . . . I am not asleep . . ." stammers the goat-beard.
"That's all right. . . . It would be dreadful to sit here alone, one would be frightened. You
might tell me something, Syoma."
"You are a queer fellow, Syomushka! Other people will laugh and tell a story and sing a
song, but you -- there is no making you out. You sit like a scarecrow in the garden and roll
your eyes at the fire. You can't say anything properly . . . when you speak you seem
frightened. I dare say you are fifty, but you have less sense than a child. Aren't you sorry
that you are a simpleton?"
"I am sorry," the goat-beard answers gloomily.
"And we are sorry to see your foolishness, you may be sure. You are a good-natured, sober
peasant, and the only trouble is that you have no sense in your head. You should have
picked up some sense for yourself if the Lord has afflicted you and given you no
understanding. You must make an effort, Syoma. . . . You should listen hard when anything
good's being said, note it well, and keep thinking and thinking. . . . If there is any word you
don't understand, you should make an effort and think over in your head in what meaning
the word is used. Do you see? Make an effort! If you don't gain some sense for yourself
you'll be a simpleton and of no account at all to your dying day."
All at once a long drawn-out, moaning sound is heard in the forest. Something rustles in the
leaves as though torn from the very top of the tree and falls to the ground. All this is faintly
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repeated by the echo. The young man shudders and looks enquiringly at his companion.
"It's an owl at the little birds," says Syoma, gloomily.
"Why, Syoma, it's time for the birds to fly to the warm countries!"
"To be sure, it is time."
"It is chilly at dawn now. It is co-old. The crane is a chilly creature, it is tender. Such cold is
death to it. I am not a crane, but I am frozen. . . . Put some more wood on!"
Syoma gets up and disappears in the dark undergrowth. While he is busy among the bushes,
breaking dry twigs, his companion puts his hand over his eyes and starts at every sound.
Syoma brings an armful of wood and lays it on the fire. The flame irresolutely licks the
black twigs with its little tongues, then suddenly, as though at the word of command,
catches them and throws a crimson light on the faces, the road, the white linen with its
prominences where the hands and feet of the corpse raise it, the ikon. The "watch" is silent.
The young man bends his neck still lower and sets to work with still more nervous haste.
The goat-beard sits motionless as before and keeps his eyes fixed on the fire. . . .
"Ye that love not Zion . . . shall be put to shame by the Lord." A falsetto voice is suddenly
heard singing in the stillness of the night, then slow footsteps are audible, and the dark
figure of a man in a short monkish cassock and a broad-brimmed hat, with a wallet on his
shoulders, comes into sight on the road in the crimson firelight.
"Thy will be done, O Lord! Holy Mother!" the figure says in a husky falsetto. "I saw the fire
in the outer darkness and my soul leapt for joy. . . . At first I thought it was men grazing a
drove of horses, then I thought it can't be that, since no horses were to be seen. 'Aren't they
thieves,' I wondered, 'aren't they robbers lying in wait for a rich Lazarus? Aren't they the
gypsy people offering sacrifices to idols? And my soul leapt for joy. 'Go, Feodosy, servant
of God,' I said to myself, 'and win a martyr's crown!' And I flew to the fire like a light-
winged moth. Now I stand before you, and from your outer aspect I judge of your souls: you
are not thieves and you are not heathens. Peace be to you!"
"Good-evening."
"Good orthodox people, do you know how to reach the Makuhinsky Brickyards from here?"
"It's close here. You go straight along the road; when you have gone a mile and a half there
will be Ananova, our village. From the village, father, you turn to the right by the river-
bank, and so you will get to the brickyards. It's two miles from Ananova."
"God give you health. And why are you sitting here?
"We are sitting here watching. You see, there is a dead body. . . ."
"What? what body? Holy Mother!"
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The pilgrim sees the white linen with the ikon on it, and starts so violently that his legs give
a little skip. This unexpected sight has an overpowering effect upon him. He huddles
together and stands as though rooted to the spot, with wide-open mouth and staring eyes.
For three minutes he is silent as though he could not believe his eyes, then begins
muttering:
"O Lord! Holy Mother! I was going along not meddling with anyone, and all at once such
an affliction."
"What may you be?" enquires the young man. "Of the clergy?"
"No . . . no. . . . I go from one monastery to another. . . . Do you know Mi . . . Mihail
Polikarpitch, the foreman of the brickyard? Well, I am his nephew. . . . Thy will be done, O
Lord! Why are you here?"
"We are watching . . . we are told to."
"Yes, yes . . ." mutters the man in the cassock, passing his hand over his eyes. "And where
did the deceased come from?"
"He was a stranger."
"Such is life! But I'll . . . er . . . be getting on, brothers. . . . I feel flustered. I am more afraid
of the dead than of anything, my dear souls! And only fancy! while this man was alive he
wasn't noticed, while now when he is dead and given over to corruption we tremble before
him as before some famous general or a bishop. . . . Such is life; was he murdered, or
what?"
"The Lord knows! Maybe he was murdered, or maybe he died of himself."
"Yes, yes. . . . Who knows, brothers? Maybe his soul is now tasting the joys of Paradise."
"His soul is still hovering here, near his body," says the young man. "It does not depart from
the body for three days."
"H'm, yes! . . . How chilly the nights are now! It sets one's teeth chattering. . . . So then I am
to go straight on and on? . . ."
"Till you get to the village, and then you turn to the right by the river-bank."
"By the river-bank. . . . To be sure. . . . Why am I standing still? I must go on. Farewell,
brothers."
The man in the cassock takes five steps along the road and stops.
"I've forgotten to put a kopeck for the burying," he says. "Good orthodox friends, can I give
the money?"
"You ought to know best, you go the round of the monasteries. If he died a natural death it
would go for the good of his soul; if it's a suicide it's a sin."
"That's true. . . . And maybe it really was a suicide! So I had better keep my money. Oh,
sins, sins! Give me a thousand roubles and I would not consent to sit here. . . . Farewell,
brothers."
The cassock slowly moves away and stops again.
"I can't make up my mind what I am to do," he mutters. "To stay here by the fire and wait
till daybreak. . . . I am frightened; to go on is dreadful, too. The dead man will haunt me all
the way in the darkness. . . . The Lord has chastised me indeed! Over three hundred miles I
have come on foot and nothing happened, and now I am near home and there's trouble. I
can't go on. . . ."
"It is dreadful, that is true."
"I am not afraid of wolves, of thieves, or of darkness, but I am afraid of the dead. I am
afraid of them, and that is all about it. Good orthodox brothers, I entreat you on my knees,
see me to the village."
"We've been told not to go away from the body."
"No one will see, brothers. Upon my soul, no one will see! The Lord will reward you a
hundredfold! Old man, come with me, I beg! Old man! Why are you silent?"
"He is a bit simple," says the young man.
"You come with me, friend; I will give you five kopecks."
"For five kopecks I might," says the young man, scratching his head, "but I was told not to.
If Syoma here, our simpleton, will stay alone, I will take you. Syoma, will you stay here
alone?"
"I'll stay," the simpleton consents.
"Well, that's all right, then. Come along! The young man gets up, and goes with the
cassock. A minute later the sound of their steps and their talk dies away. Syoma shuts his
eyes and gently dozes. The fire begins to grow dim, and a big black shadow falls on the
dead body.
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