seventeen provinces of the Netherlands. Not even in the old lands,
France, or Spain, or Italy, where the Christian teachers, builders and
singers, and the music of the bells had long been heard, had such a
flood of sweet sounds ever fallen on human ears. Here, in these northern
regions, rang out, not a solo, nor a peal, nor a chime, nor even a
cascade, from one bell, or from many bells; but, a long programme of
richest music in the air--something which no other country, however rich
or old, possessed. It was a carillon, that is, a continued mass of real
music, in which whole tunes, songs, and elaborate pieces of such length,
mass and harmony, as only a choir of many voices, a band of music, or an
orchestra of many performers could produce.
To get this grand work of hanging in the spire done in one night, and
before daylight, also, required a whole regiment of fairy toilers, who
must work like bees. For if one ray of sunshine struck any one of the
kabouters, he was at once petrified. The light elves lived in the
sunshine and thrived on it; but for dark elves, like the kabouters,
whose home was underground, sunbeams were as poisoned arrows bringing
sure death; for by these they were turned into stone. Happily the task
was finished before the eastern sky grew gray, or the cocks crowed.
While it was yet dark, the music in the air flooded the earth. The
people in their beds listened with rapture.
"Laus Deo" (Praise God), devoutly cried the surprised bishop. "It sounds
like a choir of angels. Surely the cherubim and seraphim are here. Now
is fulfilled the promise of the Psalmist: 'The players on instruments
shall be there.'"
So, from this beginning, so mysterious to the rough, unwise and stupid
teachers, but, by degrees, clearer to the tactful ones, who were kind
and patient, the carillons spread over all the region between the
forests of Ardennes and the island in the North Sea. The Netherlands
became the land of melodious symphonies and of tinkling bells. No town,
however poor, but in time had its carillon. Every quarter of an hour,
the sweet music of hymn or song, made the air vocal, while at the
striking of the hours, the pious bowed their heads and the workmen heard
the call for rest, or they took cheer, because their day's toil was
over. At sunrise, noon, or sunset, the Angelus, and at night the curfew
sounded their calls.
It grew into a fashion, that, on stated days, great concerts were given,
lasting over an hour, when the grand works of the masters of music were
rendered and famous carillon players came from all over the Netherlands,
to compete for prizes. The Low Countries became a famous school, in
which klokken-spielers (bell players) by scores were trained. Thus no
kingdom, however rich or great, ever equalled the Land of the Carillon,
in making the air sweet with both melody and harmony.
Nobody ever sees a kabouter nowadays, for in the new world, when the
woods are nearly all cut down, the world made by the steam engine, and
telegraph, and wireless message, the automobile, aeroplane and
submarine, cycle and under-sea boat, the little folks in the mines and
forests are forgotten. The chemists, miners, engineers and learned men
possess the secrets which were once those of the fairies only. Yet the
artists and architects, the clockmakers and bellfounders, who love
beauty, remember what their fathers once thought and believed. That is
the reason why, on many a famous clock, either in front of the dial or
near the pendulum, are figures of the gnomes, who thought, and the
kabouters who wrought, to make the carillons. In Teuton lands, where