ads:
A Kentucky Cardinal
James Lane Allen
The Project Gutenberg eBook, A Kentucky Cardinal, by James Lane Allen
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: A Kentucky Cardinal
Author: James Lane Allen
Release Date: March 10, 2004 [eBook #11532]
Language: English
Character set encoding: US-ASCII
***START OF THE PROJECT GUTENBERG EBOOK A KENTUCKY CARDINAL***
This eBook produced by Jared Fuller.
A KENTUCKY CARDINAL _A Story_
by James Lane Allen
Dedication
This to her from one who in childhood used to stand at the windows
of her room and watch for the Cardinal among the snow-buried cedars.
I
All this New-year's Day of 1850 the sun shone cloudless but wrought
no thaw. Even the landscapes of frost on the window-panes did not
melt a flower, and the little trees still keep their silvery boughs
arched high above the jeweled avenues. During the afternoon a lean
hare limped twice across the lawn, and there was not a creature
stirring to chase it. Now the night is bitter cold, with no sounds
outside but the cracking of the porches as they freeze tighter.
Even the north wind seems grown too numb to move. I had determined
ads:
Livros Grátis
http://www.livrosgratis.com.br
Milhares de livros grátis para download.
to convert its coarse, big noise into something sweet--as may
often be done by a little art with the things of this life--and so
stretched a horse-hair above the opening between the window sashes;
but the soul of my harp has departed. I hear but the comfortable
roar and snap of hickory logs, at long intervals a deeper breath
from the dog stretched on his side at my feet, and the crickets
under the hearth-stones. They have to thank me for that nook. One
chill afternoon I came upon a whole company of them on the western
slope of a woodland mound, so lethargic that I thumped them repeatedly
before they could so much as get their senses. There was a branch
near by, and the smell of mint in the air, so that had they been
young Kentuckians one might have had a clew to the situation. With
an ear for winter minstrelsy, I brought two home in a handkerchief,
and assigned them an elegant suite of apartments under a loose
brick.
But the finest music in the room is that which streams out to the
ear of the spirit in many an exquisite strain from the hanging shelf
of books on the opposite wall. Every volume there is an instrument
which some melodist of the mind created and set vibrating with music,
as a flower shakes out its perfume or a star shakes out its light.
Only listen, and they soothe all care, as though the silken-soft
leaves of poppies had been made vocal and poured into the ear.
Towards dark, having seen to the comfort of a household of kind,
faithful fellow-beings, whom man in his vanity calls the lower
animals, I went last to walk under the cedars in the front yard,
listening to that music which is at once so cheery and so sad--the
low chirping of birds at dark winter twilights as they gather in
from the frozen fields, from snow-buried shrubbery and hedge-rows,
and settle down for the night in the depths of the evergreens, the
only refuge from their enemies and shelter from the blast. But this
evening they made no ado about their home-coming. To-day perhaps
none had ventured forth. I am most uneasy when the red-bird is
forced by hunger to leave the covert of his cedars, since he, on
the naked or white landscapes of winter, offers the most far-shining
and beautiful mark for Death. I stepped across to the tree in
which a pair of these birds roost and shook it, to make sure they
were at home, and felt relieved when they fluttered into the next
with the quick startled notes they utter when aroused.
The longer I live here, the better satisfied I am in having pitched
my earthly camp-fire, gypsylike, on the edge of a town, keeping it
on one side, and the green fields, lanes, and woods on the other.
Each, in turn, is to me as a magnet to the needle. At times
the needle of my nature points towards the country. On that side
everything is poetry. I wander over field and forest, and through
me runs a glad current of feeling that is like a clear brook across
the meadows of May. At others the needle veers round, and I go
to town--to the massed haunts of the highest animal and cannibal.
That way nearly everything is prose. I can feel the prose rising
in me as I step along, like hair on the back of a dog, long before
any other dogs are in sights. And, indeed, the case is much that
of a country dog come to town, so that growls are in order at
every corner. The only being in the universe at which I have ever
snarled, or with which I have rolled over in the mud and fought
like a common cur, is Man.
Among my neighbors who furnish me much of the plain prose of life,
the nearest hitherto has been a bachelor named Jacob Mariner. I
called him my rain-cow, because the sound of his voice awoke
apprehensions of falling weather. A visit from him was an endless
drizzle. For Jacob came over to expound his minute symptoms; and
had everything that he gave out on the subject of human ailments
been written down, it must have made a volume as large, as solemn,
ads:
and as inconvenient as a family Bible. My other nearest neighbor
lives across the road--a widow, Mrs. Walters. I call Mrs. Walters
my mocking-bird, because she reproduces by what is truly a divine
arrangement of the throat the voices of the town. When she flutters
across to the yellow settee under the grape-vine and balances herself
lightly with expectation, I have but to request that she favor me
with a little singing, and soon the air is vocal with every note
of the village songsters. After this, Mrs. Walters usually begins
to flutter in a motherly way around the subject of _my_ symptoms.
Naturally it has been my wish to bring about between this rain-cow
and mocking-bird the desire to pair with one another. For, if a
man always wanted to tell his symptoms and a woman always wished
to hear about them, surely a marriage compact on the basis of such
a passion ought to open up for them a union of overflowing and
indestructible felicity. They should associate as perfectly as the
compensating metals of a pendulum, of which the one contracts as
the other expands. And then I should be a little happier myself.
But the perversity of life! Jacob would never confide in Mrs.
Walter. Mrs. Walters would never inquire for Jacob.
Now poor Jacob is dead, of no complaint apparently, and with so few
symptoms that even the doctors did not know what was the matter,
and the upshot of this talk is that his place has been sold, and
I am to have new neighbors. What a disturbance to a man living on
the edge of a quiet town!
Tidings of the calamity came to-day from Mrs. Walters, who flew
over and sang--sang even on a January afternoon--in a manner to
rival her most vociferous vernal execution. But the poor creature
was so truly distressed that I followed her to the front gate, and
we twittered kindly at each other over the fence, and ruffled our
plumage with common disapproval. It is marvellous how a member of
her sex will conceive dislike of people that she has never seen;
but birds are sensible of heat or cold long before either arrives,
and it may be that this mocking-bird feels something wrong at the
quill end of her feathers.
II
Mrs. Walters this morning with more news touching our incoming
neighbors. Whenever I have faced towards this aggregation of unwelcome
individuals, I have beheld it moving towards me as a thick gray
mist, shutting out nature beyond. Perhaps they are approaching
this part of the earth like comet that carries its tail before it,
and I am already enveloped in a disturbing, befogging nebulosity.
There is still no getting the truth, but it appears that they are
a family of consequence in their way--which, of course, may be
a very poor way. Mrs. Margaret Cobb, mother, lately bereaved of
her husband, Joseph Cobb, who fell among the Kentucky boys at the
battle of Buena Vista. A son, Joseph Cobb, now cadet at West Point,
with a desire to die like his father, but destined to die--who
knows?--in a war that may break out in this country about the
negroes.
While not reconciled, I am resigned. The young man when at home
may wish to practise the deadly vocation of an American soldier of
the period over the garden fence at my birds, in which case he and
I could readily fight a duel, and help maintain an honored custom
of the commonwealth. The older daughter will sooner or later turn
loose on my heels one of her pack of blue dogs. If this should
befall me in the spring, and I survive the dog, I could retort
with a dish of strawberries and a copy of "Lalla Rookh"; if in the
fall, with a basket of grapes and Thomson's "Seasons," after which
there would be no further exchange of hostilities. The younger
daughter, being a school-girl, will occasionally have to be subdued
with green apples and salt. The mother could easily give trouble;
or she might be one of those few women to know whom is to know the
best that there is in all this faulty world.
The middle of February. The depths of winter reached. Thoughtful,
thoughtless words--the depths of winter. Everything gone inward
and downward from surface and summit, Nature at low tide. In its
time will come the height of summer, when the tides of life rise
to the tree-tops, or be dashed as silvery insect spray all but to
the clouds. So bleak a season touches my concern for birds, which
never seem quite at home in this world; and the winter has been
most lean and hungry for them. Many snows have fallen--snows that
are as raw cotton spread over their breakfast-table, and cutting
off connection between them and its bounties. Next summer I must
let the weeds grow up in my garden, so that they may have a better
chance for seeds above the stingy level of the universal white. Of
late I have opened a pawnbroker's shop for my hard-pressed brethren
in feathers, lending at a fearful rate of interest; for every
borrowing Lazarus will have to pay me back in due time by monthly
instalments of singing. I shall have mine own again with usury.
But were a man never so usurious, would he not lend a winter seed
for a summer song? Would he refuse to invest his stale crumbs in
an orchestra of divine instruments and a choir of heavenly voices?
And to-day, also, I ordered from a nursery-man more trees of holly,
juniper, and fir, since the storm-beaten cedars will have to come
down. For in Kentucky, when the forest is naked, and every shrub
and hedge-row bare, what would become of our birds in the universal
rigor and exposure of the world if there were no evergreens--nature's
hostelries for the homeless ones? Living in the depths of these,
they can keep snow, ice, and wind at bay; prying eyes cannot watch
them, nor enemies so well draw near; cones or seed or berries are
their store; and in these untrodden chambers each can have the
sacred company of his mate. But wintering here has terrible risks
which few run. Scarcely in autumn have the leaves begun to drop
from their high perches silently downward when the birds begin to
drop away from the bare boughs silently southward. Lo! some morning
the leaves are on the ground, and the birds have vanished. The
species that remain, or that come to us then, wear the hues of
the season, and melt into the tone of Nature's background--blues,
grays, browns, with touches of white on tail and breast and wing
for coming flecks of snow.
Save only him--proud, solitary stranger in our unfriendly land--the
fiery grosbeak. Nature in Kentucky has no wintry harmonies for him.
He could find these only among the tufts of the October sumac, or
in the gum-tree when it stands a pillar of red twilight fire in
the dark November woods, or in the far depths of the crimson sunset
skies, where, indeed, he seems to have been nested, and whence to
have come as a messenger of beauty, bearing on his wings the light
of his diviner home.
With almost everything earthly that he touches this high herald
of the trees is in contrast. Among his kind he is without a peer.
Even when the whole company of summer voyagers have sailed back to
Kentucky, singing and laughing and kissing one another under the
enormous green umbrella of Nature's leaves, he still is beyond them
all in loveliness. But when they have been wafted away again to
brighter skies and to soft islands over the sea, and he is left
alone on the edge of that Northern world which he has dared invade
and inhabit, it is then, amid black clouds and drifting snows,
that the gorgeous cardinal stands forth in the ideal picture of
his destiny. For it is than that his beauty I most conspicuous,
and that Death, lover of the peerless, strikes at him from afar.
So that he retires to the twilight solitude of his wild fortress.
Let him even show his noble head and breast at a slit in its green
window-shades, and a ray flashes from it to the eye of a cat; let
him, as spring comes on, burst out in desperation and mount to the
tree-tops which he loves, and his gleaming red coat betrays him to
the poised hawk as to a distant sharpshooter; in the barn near by
an owl is waiting to do his night marketing at various tender-meat
stalls; and, above all, the eye and heart of man are his diurnal and
nocturnal foe. What wonder if he is so shy, so rare, so secluded,
this flame-colored prisoner in dark-green chambers, who has only
to be seen or heard and Death adjusts an arrow. No vast Southern
swamps or forest of pine here into which he may plunge. If he
shuns man in Kentucky, he must haunt the long lonely river valleys
where the wild cedars grow. If he comes into this immediate
swarming pastoral region, where the people, with ancestral love of
privacy, and not from any kindly thought of him, plant evergreens
around their country homes, he must live under the very guns and
amid the pitfalls of the enemy. Surely, could the first male of
the species have foreseen how, through the generations of his race
to come, both their beauty and their song, which were meant to
announce them to Love, would also announce them to Death, he must
have blanched snow-white with despair and turned as mute as a stone.
Is it this flight from the inescapable just behind that makes the
singing of the red-bird thoughtful and plaintive, and, indeed,
nearly all the wild sounds of nature so like the outcry of the
doomed? He will sit for a long time silent and motionless in the
heart of a cedar, as if absorbed in the tragic memories of his
race. Then, softly, wearily, he will call out to you and to the
whole world: _Peace_.._Peace_.._Peace_.._Peace_.._Peace_..!--the
most melodious sigh that ever issued from the clefts of a dungeon.
For color and form, brilliant singing, his very enemies, and the
bold nature he has never lost, I have long been most interested in
this bird. Every year several pairs make their appearance about
my place. This winter especially I have been feeding a pair; and
there should be finer music in the spring, and a lustier brood in
summer.
III
March has gone like its winds. The other night as I lay awake with
that yearning which often beats within, there fell from the upper
air the notes of the wild gander as he wedged his way onward by
faith, not by sight, towards his distant bourn. I rose and, throwing
the unseen and unseeing explorer, startled, as a half-asleep soldier
might be startled by the faint bugle-call of his commander, blown
to him from the clouds. What far-off lands, streaked with mortal
dawn, does he believe in? In what soft sylvan water will he bury
his tired breast? Always when I hear his voice, often when not,
I too desire to be up and gone out of these earthly marshes where
hunts the darker Fowler--gone to some vast, pure, open sea, where,
one by one, my scattered kind, those whom I love and those who love
me, will arrive in safety, there to be together.
March is a month when the needle of my nature dips towards the
country. I am away, greeting everything as it wakes out of winter
sleep, stretches arms upward and legs downward, and drinks goblet
after goblet of young sunshine. I must find the dark green snowdrop,
and sometimes help to remove from her head, as she lifts it slowly
from her couch, the frosted nightcap, which the old Nurse would still
insist that she should wear. The pale green tips of daffodils are
a thing of beauty. There is the sun-struck brook of the field,
underneath the thin ice of which drops form and fall, form and
fall, like big round silvery eyes that grow bigger and brighter
with astonishment that you should laugh at them as they vanish. But
most I love to see Nature do her spring house-cleaning in Kentucky,
with the rain-clouds for her water-buckets and the winds for her
brooms. What an amount of drenching and sweeping she can do in a
day! How she dashes pailful and pailful into every corner, till
the whole earth is as clean as a new floor! Another day she attacks
the piles of dead leaves, where they have lain since last October,
and scatters them in a trice, so that every cranny may be sunned and
aired. Or, grasping her long brooms by the handles, she will go
into the woods and beat the icicles off the big trees as a housewife
would brush down cobwebs; so that the released limbs straighten
up like a man who has gotten out of debt, and almost say to you,
joyfully, "Now, then, we are all right again!" This done, she
begins to hang up soft new curtains at the forest windows, and to
spread over her floor a new carpet of an emerald loveliness such
as no mortal looms could ever have woven. And then, at last, she
sends out invitations through the South, and even to some tropical
lands, for the birds to come and spend the summer in Kentucky. The
invitations are sent out in March, and accepted in April and May,
and by June her house is full of visitors.
Not the eyes alone love Nature in March. Every other sense hies
abroad. My tongue hunts for the last morsel of wet snow on the
northern root of some aged oak. As one goes early to a concert-hall
with a passion even for the preliminary tuning of the musicians,
so my ear sits alone in the vast amphitheatre of Nature and waits
for the earliest warble of the blue-bird, which seems to start up
somewhere behind the heavenly curtains. And the scent of spring,
is it not the first lyric of the nose--that despised poet of the
senses?
But this year I have hardly glanced at the small choice edition of
Nature's spring verses. This by reason of the on-coming Cobbs, at
the mere mention of whom I feel as though I were plunged up to my
eyes in a vat of the prosaic. Some days ago workmen went into the
house and all but scoured the very memory of Jacob off the face of
the earth. Then there has been need to quiet Mrs. Walters.
Mrs. Walters does not get into our best society; so that the town
is to her like a pond to a crane: she wades round it, going in as
far as she can, and snatches up such small fry as come shoreward
from the middle. In this way lately I have gotten hints of what
is stirring in the vasty deeps of village opinion.
Mrs. Cobb is charged, among other dreadful things, with having
ordered of the town manufacturer a carriage that is to be as fine
as President Taylor's, and with marching into church preceded by
a servant, who bears her prayer-book on a velvet cushion. What
if she rode in Cinderella's coach, or had her prayer-book carried
before her on the back of a Green River turtle? But to her sex
she promises to be an invidious Christian. I am rather disturbed
by the gossip regarding the elder daughter. But this is so conflicting
that one impression is made only to be effaced by another.
A week ago their agent wanted to buy my place. I was so outraged
that I got down my map of Kentucky to see where these peculiar
beings originate. They come from a little town I the northwestern
corner of the State, on the Ohio River, named Henderson--named from
that Richard Henderson who in the year 1775 bought about half of
Kentucky from the Cherokees, and afterwards, as president of his
purchase, addressed the first legislative assembly ever held in the
West, seated under a big elm-tree outside the wall of Boonsborough
fort. These people must be his heirs, or they would never have
tried to purchase my few Sabine acres. It is no surprise to discover
that they are from the Green River country. They must bathe often
in that stream. I suppose they wanted my front yard to sow it in
penny-royal, the characteristic growth of those districts. They
surely distil it and use it as a perfume on their handkerchiefs. It
was perhaps from the founder of this family that Thomas Jefferson
got authority for his statement that the Ohio is the most beautiful
river in the world--unless, indeed, the President formed that notion
of the Ohio upon lifting his eyes to it from the contemplation of
Green River. Henderson! Green River region! To this town and to
the blue-grass country as Boeotia to Attica in the days of Pericles.
Hereafter I shall call these people my Green River Boeotians.
A few days later their agent again, a little frigid, very urgent--this
time to buy me out on my own terms, _any_ terms. But what was back
of all this I inquired. I did not know these people, had never done
them a favor. Why, then, such determination to have me removed?
Why such bitterness, vindictiveness, ungovernable passion?
That was the point, he replied. This family had never wronged _me_.
I had never even seen _them_. Yet they had heard of nothing but
my intense dislike of them and opposition to their becoming my
neighbors. They could not forego their plans, but they were quite
willing to give me the chance of leaving their vicinity, on whatever
I might regard the most advantageous terms.
Oh, my mocking-bird, my mocking-bird! When you have been sitting
on _other_ front porches, have you, by the divine law of your being,
been reproducing _your_ notes as though they were _mine_, and even
pouring forth the little twitter that was meant for your private
ear?
As March goes out, two things more and more I hear--the cardinal
has begun to mount to the bare tops of the locust-trees and scatter
his notes downward, and over the way the workmen whistle and sing.
The bird is too shy to sit in any tree on that side of the yard.
But his eye and ear are studying them curiously. Sometimes I even
fancy that he sings to them with a plaintive sort of joy, as though
he were saying, "Welcome--go away!"
IV
The Cobbs will be the death of me before they get here. The report
spread that they and I had already had a tremendous quarrel, and
that, rather than live beside them, I had sold them my place. This
set flowing towards me for days a stream of people, like a line of
ants passing to and from the scene of a terrific false alarm. I
had nothing to do but sit perfectly still and let each ant, as it
ran up, touch me with its antennae, get the counter-sign, and turn
back to the village ant-hill. Not all, however. Some remained
to hear me abuse the Cobbs; or, counting on my support, fell to
abusing the Cobbs themselves. When I made not a word of reply,
except to assure them that I really had not quarrelled with the
Cobbs, had nothing against the Cobbs, and was immensely delighted
that the Cobbs were coming, they went away amazingly cool and
indignant. And for days I continued to hear such things attributed
to me that, had that young West-Pointer been in the neighborhood,
and known how to shoot, he must infallibly have blown my head off
me, as any Kentucky gentleman would. Others of my visitors, having
heard that I was not to sell my place, were so glad of it that they
walked around my garden and inquired for my health and the prospect
for fruit. For the season has come when the highest animal
begins to pay me some attention. During the winter, having little
to contribute to the community, I drop from communal notice. But
there are certain ladies who bow sweetly to me when my roses and
honeysuckles burst into bloom; a fat old cavalier of the South
begins to shake hands with me when my asparagus bed begins to send
up its tender stalks; I am in high favor with two or three young
ladies at the season of lilies and sweet-pea; there is one old soul
who especially loves rhubarb pies, which she makes to look like
little latticed porches in front of little green skies, and it is
she who remembers me and my row of pie-plant; and still another,
who knows better than cat-birds when currants are ripe. Above all,
there is a preacher, who thinks my sins are as scarlet so long as
my strawberries are, and plants himself in my bed at that time to
reason with me of judgment to come; and a doctor, who gets despondent
about my constitution in pear-time--after which my health seems to
return, but never my pears.
So that, on the whole, from May till October I am the bright side
of the moon, and the telescopes of the town are busy observing
my phenomena; after which it is as though I had rolled over on my
dark side, there to lie forgotten till once more the sun entered
the proper side of the zodiac. But let me except always the few
steadily luminous spirits I know, with whom is no variableness,
neither shadow of turning. If any one wishes to become famous in
a community, let him buy a small farm on the edge of it and cultivate
fruits, berries, and flowers, which he freely gives away or lets
be freely taken.
All this has taken freely of my swift April days. Besides, I have
made me a new side-porch, made it myself, for I like to hammer and
drive things home, and because the rose on the old one had rotted
it from post to shingle. And then, when I had tacked the rose in
place again, the little old window opening above it made that side
of my house look like a boy in his Saturday hat and Sunday breeches.
So in went a large new window; and now these changes have mysteriously
offended Mrs. Walter, who says the town is laughing at me for
trying to outdo the Cobbs. The highest animal is the only one who
is divinely gifted with such noble discernment. But I am not sorry
to have my place look its best. When they see it, they will perhaps
understand why I was not to be driven out by a golden cracker on
their family whip. They could not have bought my little woodland
pasture, where for a generation has been picnic and muster and
Fourth-of-July ground, and where the brave fellows met to volunteer
for the Mexican war. They could not have bought even the heap of
brush back of my wood-pile, where the brown thrashers build.
V
In May I am of the earth earthy. The soul loses its wild white
pinions; the heart puts forth its short, powerful wings, heavy with
heat and color, that flutter, but do not lift it off the ground.
The month comes and goes, and not once do I think of lifting my
eyes to the stars. The very sunbeams fall on the body as a warm
golden net, and keep thought and feeling from escape. Nature uses
beauty now not to uplift, but to entice. I find her intent upon
the one general business of seeing that no type of her creatures
gets left out of the generations. Studied in my yard full of birds,
as with a condensing-glass of the world, she can be seen enacting
among them the dramas of history. Yesterday, in the secret recess
of a walnut, I saw the beginning of the Trojan war. Last week
I witnessed the battle of Actium fought out in mid-air. And down
among my hedges--indeed, openly in my very barn-yard--there is a
perfectly scandalous Salt Lake City.
And while I am watching the birds, they are watching me. Not a little
fop among them, having proposed and been accepted, but perches on
a limb, and has the air of putting his hands mannishly under his
coattails and crying out at me, "Hello! Adam, what were you made
for?" "You attend to your business, and I'll attend to mine," I
answer. "You have one May; I have twenty-five!" He didn't wait
to hear. He caught sight of a pair of clear brown eyes peeping
at him out of a near tuft of leaves, and sprang thither with open
arms and the sound of a kiss.
But if I have twenty-five Mays remaining, are not some Mays gone?
Ah, well! Better a single May with the right mate than the full
number with the wrong. And where is she--the right one? If she
ever comes near my yard and answers my whistle, I'll know it; and
then I'll teach these popinjays in blue coats and white pantaloons
what Adam was made for.
But the wrong one--there's the terror! Only think of so composite
a phenomenon as Mrs. Walters, for instance, adorned with limp
nightcap and stiff curl-papers, like garnishes around a leg of
roast mutton, waking up beside me at four o'clock in the morning
as some gray-headed love-bird of Madagascar, and beginning to chirp
and trill in an ecstasy!
The new neighbors have come--mother, younger daughter, and servants.
The son is at West Point; and the other daughter lingers a few days,
unable, no doubt, to tear herself away from her beloved pennyroyal
and dearest Green River. They are quiet; have borrowed nothing
from any one in the neighborhood; have well-dressed, well-trained
servants; and one begins to be a little impressed. The curtains
they have put up at the windows suggest that the whole nest is being
lined with soft, cool spotless loveliness, that is very restful
and beguiling.
No one has called yet, since they are no at home till June; but
Mrs. Walters has done some tall wading lately, and declares that
people do not know what to think. They will know when the elder
daughter arrives; for it is the worst member of the family that
settles what the world shall think of the others.
If only she were not the worst! If only as I sat here beside my
large new window, around which the old rose-bush has been trained
and now is blooming, I could look across to her window where the
white curtains hang, and feel that behind them sat, shy and gentle,
the wood-pigeon for whom through Mays gone by I have been vaguely
waiting!
And yet I do not believe that I could live a single year with only
the sound of cooing in the house. A wood-pigeon would be the death
of me.
VI
This morning, the 3d of June, the Undine from Green River rose
above the waves.
The strawberry bed is almost under their windows. I had gone out
to pick the first dish of the season for breakfast; for while I
do not care to eat except to live, I never miss an opportunity of
living upon strawberries.
I was stooping down and bending the wet leaves over, so as not
to miss any, when a voice at the window above said, timidly and
playfully,
"Are you the gardener?"
I picked on, turning as red as the berries. Then the voice said
again,
"Old man, are you the gardener?"
Of course a person looking down carelessly on the stooping figure
of _any_ man, and seeing nothing but a faded straw hat, and arms
and feet and ankles bent together, might easily think him decrepit
with age. Some things touch off my temper. But I answered, humbly,
"I am the gardener, madam."
"How much do you ask for your strawberries?"
"The gentleman who owns this place does not sell his strawberries.
He gives them away, if he likes people. How much do you ask for
_your_ strawberries?"
"What a nice old gentleman! Is he having those picked to give
away?"
"He is having these picked for his breakfast."
"Don't you think he'd like you to give me those, and pick him some
more?"
"I fear not, madam."
"Nevertheless, you might. He'd never know."
"I think he'd find it out."
"You are not afraid of him, are you?"
"I am when he gets mad."
"Does he treat you badly?"
"If he does, I always forgive him."
"He doesn't seem to provide you with very many clothes."
I picked on.
"But you seem nicely fed."
I picked on.
"What is his name, old man? Don't you like to talk?"
"Adam Moss."
"Such a green, cool, soft name! It is like his house and yard and
garden. What does he do?"
"Whatever he pleases."
"You must not be impertinent to me, or I'll tell him. What does
he like?"
"Birds--red-birds. What do _you_ like?"
"Red-birds! How does he catch them? Throw salt on their tails?"
"He is a lover of Nature, madam, and particularly of birds."
"What does _he_ know about birds? Doesn't he care for people?"
"He doesn't think many worth caring for."
"Indeed! And _he_ is perfect, then, is he?"
"He thinks he is nearly as bad as any; but that doesn't make the
rest any better."
"Poor old gentleman! He must have the blues dreadfully. What does
he do with his birds? Eat his robins, and stuff his cats, and sell
his red-birds in cages?"
"He considers it part of his mission in life to keep them from
being eaten or stuffed or caged."
"And you say he is nearly a hundred?"
"He is something over thirty years of age, madam."
"Thirty? Surely we heard he was very old. Thirty! And does he
live in that beautiful little old house all by himself?"
"_I_ live with him!"
"_You_! Ha! ha! ha! And what is _your_ name, you dear good old
man?"
"Adam."
"_Two_ Adams living in the same house! Are you the _old_ Adam? I
have heard so much of him."
At this I rose, pushed back my hat, and looked up at her.
"_I_ am Adam Moss," I said, with distant politeness. "You can have
these strawberries for your breakfast if you want them."
There was a low quick "Oh!" and she was gone, and the curtains
closed over her face. It was rude; but neither ought she to have
called me the old Adam. I have been thinking of one thing: why
should she speak slightingly of _my_ knowledge of birds? What does
_she_ know about them? I should like to inquire.
Late this afternoon I dressed up in my high gray wool hat, my fine
long-tailed blue cloth coat with brass buttons, by pink waistcoat,
frilled shirt, white cravat, and yellow nankeen trousers, and
walked slowly several times around my strawberry bed. Did no see
any more ripe strawberries.
Within the last ten days I have called twice upon the Cobbs, urged
no doubt by an extravagant readiness to find them all that I feared
they were not. How exquisite in life is the art of not seeing many
things, and of forgetting many that have been seen! They received
me as though nothing unpleasant had happened. Nor did the elder
daughter betray that we had met. She has not forgotten, for
more than once I surprised a light in her eyes as though she were
laughing. She has not, it is certain, told even her mother and
sister. Somehow this fact invest her character with a charm as
of subterranean roominess and secrecy. Women who tell everything
are like finger-bowls of clear water.
But it is Sylvia that pleases me. She must be about seventeen; and
so demure and confiding that I was ready to take her by the hand,
lead her to the garden-gate, and say: Dear child, everything in
here--butterflies, flowers, fruit, honey, everything--is yours;
come and go and gather as you like.
Yesterday morning I sent them a large dish of strawberries, with
a note asking whether they would walk during the day over to my
woodland pasture, where the soldiers had a barbecue before setting
out for the Mexican war. The mother and Sylvia accepted. Our walk
was a little overshadowed by their loss; and as I thoughtlessly
described the gayety of that scene--the splendid young fellows
dancing in their bright uniforms, and now and then pausing to wipe
their foreheads, the speeches, the cheering, the dinner under the
trees, and, a few days later, the tear-dimmed eyes, the hand-wringing
and embracing, and at last the marching proudly away, each with a
Bible in his pocket, and many never, never to return--I was sorry
that I had not foreseen the sacred chord I was touching. But
it made good friends of us more quickly, and they were well-bred,
so that we returned to all appearance in gay spirits. The elder
daughter came to meet us, and went at once silently to her mother's
side, as though she had felt the separation. I wondered whether
she had declined to go because of the memory of her father. As
we passed my front gate, I asked them to look at my flowers. The
mother praised also the cabbages, thus showing an admirably balanced
mind; the little Sylvia fell in love with a vine-covered arbor;
the elder daughter appeared to be secretly watching the many birds
about the grounds, but when I pointed out several less-known species,
she lost interest.
What surprises most is that they are so refined and intelligent.
It is greatly to be feared that we Kentuckians in this part of the
State are profoundly ignorant as to the people in other parts. I
told Mrs. Walters this, and she, seeing that I am beginning to like
them, is beginning to like them herself. Dear Mrs. Walters! Her
few ideas are like three or four marbles on a level floor; they
have no power to move themselves, but roll equally well in any
direction you push them.
This afternoon I turned a lot of little town boys into my strawberry
bed, and now it looks like a field that had been harrowed and rolled.
I think they would gladly have pulled up some of the plants to see
whether there might not be berries growing on the roots.
It is unwise to do everything that you can for people at once; for
when you can do nothing more, they will say you are no longer like
yourself, and turn against you. So I have meant to go slowly with
the Cobbs in my wish to be neighborly, and do not think that they
could reasonably be spoiled on one dish of strawberries in three
weeks. But the other evening Mrs. Cobb sent over a plate of golden
sally-lunn on a silver waiter, covered with a snow-white napkin;
and acting on this provocation, I thought they could be trusted
with a basket of cherries.
So next morning, in order to save the ripening fruit on a rather small
tree of choice variety, I thought I should put up a scarecrow, and
to this end rummaged a closet for some last winter's old clothes.
These I crammed with straw, and I fastened the resulting figure
in the crotch of the tree, tying the arms to the adjoining limbs,
and giving it the dreadful appearance of shouting, "Keep out of
here, you rascals, or you'll get hurt!" And, in truth, it did look
so like me that I felt a little uncanny about it myself.
Returning home late, I went at once to the tree, where I found not
a quart of cherries, and the servants told of an astonishing thing:
that no sooner had the birds discovered who was standing in the
tree, wearing the clothes in which he used to feed them during the
winter, than the news spread like wildfire to the effect that he
had climbed up there and was calling out: "Here is the best tree,
fellows! Pitch in and help yourselves!" So that the like of the
chattering and fetching away was never seen before. This was the
story; but little negroes love cherries, and it is not incredible
that the American birds were assisted in this instance by a large
family of fat young African spoon-bills.
Anxious to save another tree, and afraid to use more of my own
clothes, I went over to Mrs. Walters, and got from her an old bonnet
and veil, a dress and cape, and a pair of her cast-off yellow
gaiters. These garments I strung together and prepared to look
life-like, as nearly as a stuffing of hay would meet the inner
requirements of the case. I them seated the dread apparition in the
fork of a limb, and awaited results. The first thief was an old
jay, who flew towards the tree with his head turned to one side
to see whether any one was overtaking him. But scarcely had he
alighted when he uttered a scream of horror that was sickening to
hear, and dropped on the grass beneath, after which he took himself
off with a silence and speed that would have done credit to a
passenger-pigeon. That tree was rather avoided for some days, or
it may have been let alone merely because others were ripening; so
that Mrs. Cobb got her cherries, and I sent Mrs. Walter some also
for the excellent loan of her veil and gaiters.
As the days pass I fall in love with Sylvia, who has been persuaded
to turn my arbor into a reading-room, and is often to be found
there of mornings with one of Sir Walter's novels. Sometimes I
leave her alone, sometimes lie on the bench facing her, while she
reads aloud, or, tiring, prattles. Little half-fledged spirit, to
whom the yard is the earth and June eternity, but who peeps over
the edge of the nest at the chivalry of the ages, and fancies that
she knows the world. The other day, as we were talking, she tapped
the edge of her _Ivanhoe_ with a slate-pencil--for she is also
studying the Greatest Common Divisor--and said, warningly, "You
must not make epigrams; for if you succeeded you would be brilliant,
and everything brilliant is tiresome."
"Who is your authority for _that_ epigram, Miss Sylvia?" I said,
laughing.
"Don't you suppose that I have any ideas but what I get from books?"
"You may have all wisdom, but those sayings proceed only from
experience."
"I have my intuitions; they are better than experience."
"If you keep on, _you_ will be making epigrams presently, and then
I shall find you tiresome, and go away."
"You couldn't. I am your guest. How unconventional I am to come
over and sit in your arbor! But it is Georgiana's fault."
"Did _she_ tell you to come?"
"No; but she didn't keep me from coming. Whenever any one
of us does anything improper we always say to each other, 'It's
Georgiana's fault. She ought not to have taught us to be so simple
and unconventional.'"
"And is she the family governess?"
"She governs the family. There doesn't seem to be any real
government, but we all do as she says. You might think at first
that Georgiana was the most light-headed member of the family, but
she isn't. She's deep. I'm shallow in comparison with her. She
calls me sophisticated, and introduces me as the elder Miss Cobb,
and says that if I don't stop reading Scott's novels and learn
more arithmetic she will put white caps on me, and make me walk to
church in carpet slippers and with grandmother's stick."
"But you don't seem to have stopped, Miss Sylvia."
"No; but I'm stopping. Georgiana always gives us time, but we get
right at last. It was two years before she could make my brother
go to West Point. He was wild and rough, and wanted to raise
tobacco, and float with it down to New Orleans, and have a good
time. Then when she had gotten him to go she was afraid he'd come
back, and so she persuaded my mother to live here, where there
isn't any tobacco, and where I could be sent to school. That took
her a year, and now she is breaking up my habit of reading nothing
but novels. She gets us all down in the end. One day when she
and Joe were little children they were out at the wood-pile, and
Georgiana was sitting on a log eating a jam biscuit, with her feet
on the log in front of her. Joe had a hand-axe, and was chopping
at anything till he caught sight of her feet. Then he went to the
end of the log, and whistled like a steamboat, and began to hack
down in that direction, calling out to her: 'Take your toes out of
the way, Georgiana. I am coming down the river. The current is
up and I can't stop.' 'My toes were there first,' said Georgiana,
and went on eating her biscuit. 'Take them out of the way, I tell
you,' he shouted as he came nearer, 'or they'll get cut off.' 'They
were there first,' repeated Georgiana, and took another delicious
nibble. Joe cut straight along, and went whack right into her five
toes. Georgiana screamed with all her might, but she held her foot
on the log, till Joe dropped the hatchet with horror, and caught
her in his arms. 'Georgiana, I _told_ you to take your toes away,'
he cried; 'you are such a little fool,' and ran with her to the
house. But she always had control over him after that."
To-day I saw Sylvia enter the arbor, and shortly afterwards I
followed with a book.
"When you stop reading novels and begin to read history, Miss
Sylvia, here is the most remarkable history of Kentucky that was
ever written or ever will be. It is by my father's old teacher of
natural history in Transylvania University, Professor Rafinesque,
who also had a wonderful botanical garden on this side of the town;
perhaps the first ever seen in this country."
"I know all about it," replied Sylvia, resenting this slight
upon her erudition. "Georgiana has my father's copy, and his was
presented to him by Mr. Audubon."
"Audubon?" I said, with a doubt.
"Never heard of Audubon?" cried Sylvia, delighted to show up my
ignorance.
"Only of the great Audubon, Miss Sylvia; the _great_, the very
_great_ Audubon."
"Well, this was the _great_, the very _great_ Audubon. He lived
in Henderson, and kept a corn-mill. He and my father were friends,
and he gave my father some of his early drawings of Kentucky
birds. Georgiana has them now, and that is where she gets her love
of birds--from my father, who got his from the _great_, the very
_great_ Audubon."
"Would Miss Cobb let me see these drawings?" I asked, eagerly.
"She might; but she prizes them as much as if they were stray leaves
out of the only Bible in the world."
As Sylvia turned inside out this pocket of her mind, there had
dropped out a key to her sister's conduct. Now I understood her
slighting attitude towards my knowledge of birds. But I shall
feel some interest in Miss Cobb from this time on. I never dreamed
that she could bring me fresh news of that rare spirit whom I have
so wished to see, and for one week in the woods with whom I would
give any year of my life. Are they possibly the Henderson family
to whom Audubon intrusted the box of his original drawings during
his absence in Philadelphia, and who let a pair of Norway rats rear
a family in it, and cut to pieces nearly a thousand inhabitants of
the air?
There are two more days of June. Since the talk with Sylvia I have
called twice more upon the elder Miss Cobb. Upon reflection, it
is misleading to refer to this young lady in terms so dry, stiff,
and denuded; and I shall drop into Sylvia's form, and call her
simply Georgiana. That looks better--Georgiana! It sounds well,
too--Georgiana!
Georgiana, then, is a rather elusive character. The more I see of
her the less I understand her. If your nature draws near hers, it
retreats. If you pursue, it flies--a little frightened perhaps.
If then you keep still and look perfectly safe, she will return,
but remain at a fixed distance, like a bird that will stay in your
yard, but not enter your house. It is hardly shyness, for she is not
shy, but more like some strain of wild nature in her that refuses
to be domesticated. One's faith is strained to accept Sylvia's
estimate that Georgiana is deep--she is so light, so airy, so
playful. Sylvia is a demure little dove that has pulled over itself
an owl's skin, and is much prouder of its wicked old feathers than
of its innocent heart; but Georgiana--what is she? Secretly an
owl with the buoyancy of a humming-bird? However, it's nothing to
me. She hovers around her mother and Sylvia with a fondness that
is rather beautiful. I did not mention the subject of Audubon and
her father, for it is never well to let an elder sister know that
a younger one has been talking about her. I merely gave her several
chances to speak of birds, but she ignored them. As for me and
_my_ love of birds, such trifles are beneath her notice. I don't
like her, and it will not be worth while to call again soon, though
it would be pleasant to see those drawings.
This morning as I was accidentally passing under her window I saw
her at it and lifted my hat. She leaned over with her cheek in
her palm, and said, smiling,
"You mustn't spoil Sylvia!"
"What is my definite offence in that regard?"
"Too much arbor, too many flowers, too much fine treatment."
"Does fine treatment ever harm anybody? Is it not bad treatment
that spoils people?"
"Good treatment may never spoil people who are old enough to know
its rarity and value. But you say you are a student of nature;
have you not observed that nature never lets the sugar get to things
until they are ripe? Children must be kept tart."
"The next time that Miss Sylvia comes over, then, I am to give
her a tremendous scolding and a big basket of green apples."
"Or, what is worse, suppose you encourage her to study the Greatest
Common Divisor? I am trying to get her ready for school in the
fall."
"Is she being educated for a teacher?"
"You know that Southern ladies never teach."
"Then she will never need the Greatest Common Divisor. I have
known many thousands of human beings, and none but teachers ever
have the least use for the Greatest Common Divisor."
"But she needs to do things that she dislikes. We all do."
I smiled at the memory of a self-willed little bare foot on a log
years ago.
"I shall see that my grape arbor does not further interfere with
Miss Sylvia's progress towards perfection."
"Why didn't you wish us to be your neighbors?"
"I didn't know that you were the right sort of people."
"_Are_ we the right sort?"
"The value of my land has almost been doubled."
It is a pleasure to know that you approve of us on those grounds.
Will the value of _our_ land rise also, do you think? And why do
you suppose we objected to _you_ as a neighbor?"
"I cannot imagine."
"The imagination can be cultivated, you know. Then tell me this:
why do Kentuckians in this part of Kentucky think so much of
themselves compared with the rest of the world?"
"Perhaps it's because they are Virginians. There may be various
reasons."
"Do the people ever tell what the reasons are?"
"I have never heard one."
"And if we stayed here long enough, and imitated them very closely,
do you suppose we would get to feel the same way?"
"I am sure of it."
"It must be so pleasant to consider Kentucky the best part of
the world, and _your_ part of Kentucky the best of the State, and
_your_ family the best of all the best families in that best part,
and yourself the best member of your family. Ought not that to
make one perfectly happy?"
"I have often observed that it seems to do so."
"It is delightful to remember that _you_ approve of us. And we
should feel _so_ glad to be able to return the compliment. Good-bye!"
Any one would have to admit, however, that there is no sharpness
in Georgiana's pleasantry. The child-nature in her is so sunny,
sportive, so bent on harmless mischief. She still plays with life
as a kitten with a ball of yarn. Some day Kitty will fall asleep
with the Ball poised in the cup of one foot. Then, waking, when
her dream is over, she will find that her plaything has become
a rocky, thorny, storm-swept, immeasurable world, and that she, a
woman, stands holding out towards it her imploring arms, and asking
only for some littlest part in its infinite destinies.
After the last talk with Georgiana I felt renewed desire to see those
Audubon drawings. So yesterday morning I sent over to her some
things written by a Northern man, whom I call the young Audubon
of the Maine woods. His name is Henry D. Thoreau, and it is, I
believe, known only to me down here. Everything that I can find of
his is as pure and cold and lonely as a wild cedar of the mountain
rocks, standing far above its smokeless valley and hushed white
river. She returned them to-day with word that she would thank me
in person, and to-night I went over in a state of rather senseless
eagerness.
Her mother and sister had gone out, and she sat on the dark porch
alone. The things of Thoreau's have interested her, and she asked
me to tell her all I knew of him, which was little enough. Then
of her own accord she began to speak of her father and Audubon--of
the one with the worship of love, of the other with the worship
of greatness. I felt as though I were in a moonlit cathedral; for
her voice, the whole revelation of her nature, made the spot so
impressive and so sacred. She scarcely addressed _me_; she was
communing with them. Nothing that her father told her regarding
Audubon appears to have been forgotten; and, brought nearer than
ever before to that lofty, tireless spirit in its wanderings through
the Kentucky forests, I almost forgot her to whom I was listening.
But in the midst of it she stopped, and it was again kitten and yarn.
I left quite as abruptly. Upon my soul, I believe that Georgiana
doesn't think me worth talking to seriously.
VII
July has dragged like a log across a wet field.
There was the Fourth, which is always the grandest occasion of the
year with us. Society has taken up Sylvia and rejected Georgiana;
and so with its great gallantry, and to her boundless delight,
Sylvia was invited to sit with a bevy of girls in a large furniture
wagon covered with flags and bunting. The girls were to be dressed
in white, carry flowers and flags, and sing "The Star-spangled
Banner" in the procession, just before the fire-engine. I wrote a
note to Georgiana, asking whether it would interfere with Sylvia's
Greatest Common Divisor if I presented her with a profusion of
elegant flowers on that occasion. Georgiana herself had equipped
Sylvia with a truly exquisite silken flag on a silver staff; and
as Sylvia both sang and waved with all her might, not only to keep
up the Green River reputation in such matters, but with a mediaeval
determination to attract a young man on the fire-engine behind,
she quite eclipsed every other miss in the wagon, and was not even
hoarse when persuaded at last to stop. So that several of the
representatives of the other States voted afterwards in a special
congress that she was loud, and in no way as nice as they had
fancied, and that they ought never to recognize her again except
in church and a funerals.
And then the month brought down from West Point the son of the
family, who cut _off_--or cut _at_--Georgiana's toes, I remember.
With him a sort of cousin, who lives in New York State; and after
a few days of toploftical strutting around town, and a pussillanimous
crack or two over the back-garden fence at my birds, they went away
again, to the home of this New York cousin, carrying Georgiana with
them to spend the summer.
Nothing has happened since. Only Sylvia and I have been making hay
while the sun shines--or does not shine, if one chooses to regard
Georgiana's absence in that cloudy fashion. Sylvia's ordinary armor
consists of a slate-pencil for a spear, a slate for a shield, and
a volume of Sir Walter for a battle-axe. Now and then I have found
her sitting alone in the arbor with the drooping air of Lucy Ashton
beside the fountain; and she would be better pleased if I met her
clandestinely there in cloak and plume with the deadly complexion
of Ravenswood.
The other day I caught her toiling at something, and she admitted
being at work on a poem which would be about half as long as the
"Lay of the Last Minstrel." She read me the opening lines, after
that bland habit of young writer; and as nearly as I recollect,
they began as follows:
"I love to have gardens, I love to have plants, I love to have
air, and I love to have ants."
When not under the spell of mediaeval chivalry she prattles needlessly
of Georgiana, early life, and their old home in Henderson. Although
I have pointed out to her the gross impropriety of her conduct, she
has persisted in reading me some of Georgiana's letters, written
from the home of that New York cousin, whose mother they are now
visiting. I didn't like _him_ particularly. Sylvia relates that
he was a favorite of her father's.
The dull month passes to-day. One thing I have secretly wished to
learn; did her brother cut Georgiana's toes entirely off?
VIII
In August the pale and delicate poetry of the Kentucky land makes
itself felt as silence and repose. Still skies, still woods, still
sheets of forest water, still flocks and herds, long lanes winding
without the sound of a traveller through fields of the universal
brooding stillness. The sun no longer blazing, but muffled in a
veil of palest blue. No more black clouds rumbling and rushing up
from the horizon, but a single white one brushing slowly against
the zenith like the lost wing of a swan. Far beneath it the
silver-breasted hawk, using the cloud as his lordly parasol. The
eagerness of spring gone, now all but incredible as having ever
existed; the birds hushed and hiding; the bee, so nimble once,
fallen asleep over his own cider-press in the shadow of the golden
apple. From the depths of the woods may come the notes of the
cuckoo; but they strike the air more and more slowly, like the
clack, clack of a distant wheel that is being stopped at the close
of harvest. The whirring wings of the locust let themselves go
in one long wave of sound, passing into silence. All nature is a
vast sacred goblet, filling drop by drop to the brim, and not to
be shaken. But the stalks of the later flowers begin to be stuffed
with hurrying bloom lest they be too late; and the nighthawk rapidly
mounts his stairway of flight higher and higher, higher and higher,
as though he would rise above the warm white sea of atmosphere and
breathe in cold ether.
Always in August my nature will go its own way and seek its own
peace. I roam solitary, but never alone, over this rich pastoral
land, crossing farm after farm, and keeping as best I can out of
sight of the laboring or loitering negroes. For the sight of them
ruins every landscape, and I shall never feel myself free till
they are gone. What if they sing? The more is the pity that any
human being could be happy enough to sing so long as he was a slave
in any thought or fibre of his nature.
Sometimes it is through the after-math of fat wheat-fields, where
float like myriad little nets of silver gauze the webs of the
crafty weavers, and where a whole world of winged small folk flit
from tree-top to tree-top of the low weeds. They are all mine--these
Kentucky wheat-fields. After the owner has taken from them his
last sheaf I come in and gather my harvest also--one that he did
not see, and doubtless would not begrudge me--the harvest of beauty.
Or I walk beside tufted aromatic hemp-fields, as along the shores
of softly foaming emerald seas; or past the rank and file of fields
of Indian-corn, which stand like armies that had gotten ready
to march, but been kept waiting for further orders, until at last
the soldiers had gotten tired, as the gayest will, of their yellow
plumes and green ribbons, and let their big hands fall heavily down
at their sides. There the white and the purple morning-glories
hang their long festoons and open to the soft midnight winds their
elfin trumpets.
This year as never before I have felt the beauty of the world.
And with the new brightness in which every common scene has been
apparelled there has stirred within me a need of human companionship
unknown in the past. It is as if Nature had spread out her last
loveliness and said: "See! You have before you now all that you
can ever get from me! It is not enough. Realize this in time. I
am your Mother. Love me as a child. But remember! such love can
be only a little part of your life."
Therefore I have spent the month restless, on the eve of change,
drawn to Nature, driven from her. In September it will be different,
for then there are more things to do on my small farm, and I see
people on account of my grapes and pears. My malady this August
has been an idle mind--so idle that a letter from Georgiana seems
its main event. This was written from the old home of Audubon on
the Hudson, whither they had gone sight-seeing. It must have been
to her much like a pilgrimage to a shrine. She wrote informally,
telling me about the place and enclosing a sprig of cedar from one
of the trees in the yard. Her mind was evidently overflowing on
the subject. It was rather pleasant to have the overflow turned
my way. I shall plant the cedar where it will say always green.
I saw Georgiana once more before he leaving. The sudden appearance
of her brother and cousin, and the new that she would return with
them for the summer, spurred me up to make another attempt at those
Audubon drawings.
How easy it was to get them! It is what a man thinks a woman will
be willing to do that she seldom does. But she made a confession.
When she first found that I was a smallish student of birds, she
feared I would not like Audubon, since men so often sneer at those
who do in a grand way what they can do only in a poor one. I had
another revelation of Georgiana's more serious nature, which is
always aroused by the memory of her father. There is something
beautiful and steadfast in this girl's soul. In our hemisphere vines
climb round from left to right; if Georgiana loved you she would,
if bidden, reverse every law of her nature for you as completely
as a vine that you had caused to twine from right to left.
Sylvia enters school the 1st of September, and Georgiana is to be
at home then to see to that. How surely she drives this family
before her--and with as gentle a touch as that of a slow south wind
upon the clouds.
Those poor fist drawings of Audubon! He succeeded; we study his
early failures. The world never studies the failures of those who
do not succeed in the end.
The birds are moulting. If man could only moult also--his mind
once a year its errors, his heart once a year its useless passions!
How fine we should all look if every August the old plumage of our
natures would drop out and be blown away, and fresh quills take the
vacant places! But we have one set of feathers to last us through
our threescore years and ten--one set of spotless feathers, which
we are told to keep spotless through all our lives in a dirty world.
If one gets broken it stays; if one gets blackened, nothing will
cleanse it. No doubt we shall all fly home at last, like a flock
of pigeons that were once turned loose snow-white from the sky, and
made to descend and fight one another and fight everything else for
a poor living amid soot and mire. If then the hand of the unseen
Fancier is stretched forth to draw us in, how can he possibly
smite any one of us, or cast us away, because we came back to him
black and blue with bruises and besmudged and bedraggled past all
recognition?
IX
To-day, the 7th of September, I made a discovery. The pair of
red-birds that built in my cedar-trees last winter got duly away
with the brood. Several times during summer rambles I cast my eye
about, but they were not to be seen. Early this afternoon I struck
out across the country towards a sinkhole in a field two miles away,
some fifty yards in diameter, very deep, and enclosed by a fence.
A series of these circular basins, at regular distances apart, runs
across the country over there, suggesting the remains of ancient
earth-works. The bottom had dropped out of this one, probably
communicating with the many caves that are characteristic of this
blue limestone.
Within the fence everything is an impenetrable thicket of weeds and
vines--blackberry, thistle, ironweed, pokeweed, elder, golden-rod.
As I drew near, I saw two or three birds dive down, with the shy way
they have at this season; and when I came to the edge, everything
was quiet. But I threw a stone at a point where the tangle was deep,
and there was a great fluttering and scattering of the pretenders.
And then occurred more than I had looked for. The stone had
hardly struck the brush when what looked like a tongue of vermilion
flame leaped forth near by, and, darting across, stuck itself out
of sight in the green vines on the opposite slope. A male and
a female cardinal flew up also, balancing themselves on sprays of
the blackberry, and uttering excitedly their quick call-notes. I
whistled to the male as I had been used, and he recognized me
by shooting up his crest and hopping to nearer twigs with louder
inquiry. All at once, as if an idea had struck him, he sprang
across to the spot where the first frightened male had disappeared.
I could still hear him under the vines, and presently he reappeared
and flew up into a locust-tree on the farther edge of the basin,
followed by the other. What had taken place or took place then I
do not know; but I wished he might be saying: "My son, that man
over there is the one who was very good to your mother and me last
winter, and who owns the tree you were born in. I have warned
you, of course, never to trust Man; but I would advise you, when
you have found your sweetheart, to give he a trial, and take her
to his cedar-trees."
If he said anything like this, it certainly had a terrible effect
of the son; for, having mounted rapidly to the tree-top, he clove
the blue with his scarlet wings as though he were flying from death.
I lost sight of him over a corn-field. One fact pleased me: the
father retuned to his partner under the briers, for he is not of
the lower sort who forget the mother when the children are reared.
They hold faithfully together during the ever more silent, ever more
shadowy autumn days; his warming breast is close to hers through
frozen winter nights; and if they both live to see another May she
is still all the world to him, and woe to any brilliant vagabond
who should warble a wanton love-song under her holy windows.
Georgiana returned the last of August. The nest morning she was
at her window, looking across into my yard. I was obliged to pass
that way, and welcomed her gayly, expressing my thanks for the
letter.
"I had to come back, you see," she said, with calm simplicity. I
lingered awkwardly, stripping upward the stalks of some weeds.
"Very few Kentucky birds are migratory," I replied at length, with
desperate brilliancy and an overwhelming grimace.
"I shall go back some time--to say," she said, and turned away with
a parting faintest smile.
I that West Point brother giving trouble? If so, the sooner a war
breaks out and he gets killed, the better. One thing is certain:
if, for the next month, fruit and flowers will give Georgiana any
pleasure, she shall have a good deal of pleasure. She is so changed!
But why need I take on about it?
They have been cleaning out a drain under the streets along the
Town Fork of Elkhorn, and several people are down with fever.
X
New-Year's night again, and bitter cold.
When I forced myself away from my fire before dark, and ran down to
the stable to see about feeding and bedding the horses and cows,
every beast had its head drawn in towards its shoulders, and
looked at me with the dismal air of saying, "Who is tempering the
wind now?" The dogs in the kennel, with their noses between their
hind-legs, were shivering under their blankets and straw like
a nest of chilled young birds. The fowls on the roost were mere
white and blue puffs of feathers. Nature alone has the making of
her creatures; why doesn't she make them comfortable?
After supper old Jack and Dilsy came in, and standing against the
wall with their arms folded, told me more of what happened after I
got sick. That was about the middle of September, and it is only
two weeks since I became well enough to go in and out through all
sorts of weather.
It was the middle of September then, my servants said, and as within
a week after taking the fever I was very ill, a great many people
came out to inquire for me. Some of these, walking around the
garden, declared it was a pity for such fruit and flowers to be
wasted, and so helped themselves freely every time. The old doctor,
who always fears for my health at this season, stopped by nearly
every day to repeat how he had warned me, and always walked back to
his gig in a round-about way, which required him to pass a favorite
tree; and once he was so indignant to find several other persons
gathered there, and mournfully enjoying the last of the fruit as
they predicted I would never get well, that he came back to the
house--with two pears in each duster pocket and one in his mouth--and
told Jack it was an outrage. The preacher, likewise, who appears
in the spring-time, one afternoon knocked reproachfully at the
front door and inquired whether I was in a condition to be reasoned
with. In his hand he carried a nice little work-basket, which may
have been brought along to catch his prayers; but he took it home
piled with grapes.
And then they told me, also, how many a good and kind soul came
with hushed footsteps and low inquires, turning away sometimes
with brightened faces, sometimes with rising tears--often people
to whom I had done no kindness or did not even know; how others,
whom I had quarrelled with or did not like, forgot the poor puny
quarrels and the dislike, and begged to do for me whatever they
could; how friends went softly around the garden, caring for a
flower, putting a prop under a too heavily-laden limb, or climbing
on step-ladders to tie sacks around the finest bunches of grapes,
with the hope that I might be well in time to eat them--touching
nothing themselves, having no heart to eat; how dear, dear ones
would never leave me day or night; how a good doctor wore himself
out with watching, and a good pastor sent up for me his spotless
prayers; and at last, when I began to mend, how from far and near
there poured in flowers and jellies and wines, until, had I been
the multitude by the Sea of Galilee, there must have been baskets
to spare. God bless them! God bless them all! And God forgive
us all the blindness, the weakness, and the cruelty with which we
judge each other when we are in health.
This and more my beloved old negroes told me a few hours ago, as
I sat in deep comfort and bright health again before my blazing
hickories; and one moment we were in laughter and the next in
tears--as is the strange life we live. This is a gay household now,
and Dilsy cannot face me without a fleshly earthquake of laughter
that I have become such a high-tempered tiger about punctual meals.
In particular, my two nearest neighbors were much at odds as to
which had better claim to nurse me; so that one day Mrs. Walters,
able to endure it no longer, thrust Mrs. Cobb out of the house by
the shoulder-blades, locked the door on her, and them opened the
shutters and scolded her out of the window.
One thing I miss. My servants have never called the name of
Georgiana. The omission is unnatural, and must be intentional.
Of course I have not asked whether she showed any care; but that
little spot of silence affects me as the sight of a tree remaining
leafless in the woods where everything else is turning green.
XI
To-day I was standing at a window, looking out at the aged row of
cedars, now laden with snow, and thinking of Horace and Soracte.
Suddenly, beneath a jutting pinnacle of white boughs which left
under themselves one little spot of green, I saw a cardinal hop
out and sit full-breasted towards me. The idea flashed through
my mind that this might be that shyest, most beautiful fellow whom
I had found in September, and whom I tried to make out as the son
of my last winter's pensioner. At least he has never lived in my
yard before; for when, to test his shyness, I started to raise the
window-sash, at the first noise of it he was gone. My birds are
not so afraid of me. I must get on better terms with this stranger.
Mrs. Walters over for a while afterwards. I told her of my fancy
that this bird was one of last summer's brood, and that he appeared
a trifle larger than any male I had ever seen. She said of course.
Had I not fed the parents all last winter? When she fed her hens,
did they not lay bigger eggs? Did not bigger eggs contain bigger
chicks? Did not bigger chicks become bigger hens, again? According
to Mrs. Walters, a single winter's feeding of hot corn-meal,
scraps of bacon, and pods of red pepper will all but bring about
a variation of species; and so if the assumed rate at which I am
now going were kept up a hundred years, my cedar-trees might be
full of a race of red-birds as large and as fat as geese.
Standing towards sundown at another window, I saw Georgiana sewing
at hers, as I have seen her every day since I got out of bed. Why
should she sew so much? There is a servant also; and they sew,
sew, sew, as if eternal sewing were eternal happiness, eternal
salvation. The first day she sprang up, letting her work roll off
her lap, and waved her handkerchief inside the panes, and smiled
with what looked to me like radiant pleasure that I was well again.
I was weak and began to tremble, and, going back to the fireside,
lay back in my chair with a beating of the heart that was a warning.
Since then she has recognized me by only a quiet kindly smile. Why
has no one ever called her name? I believe Mrs. Walters knows.
She comes nowadays as if to tell something, and goes away with a
struggle that she has not told it. But a secret can no more stay
in the depths of Mrs. Walter's mind than cork at the bottom of
water; some day I shall see this mystery riding on the surface.
XII
Yes, she knew; while unconscious I talked of Georgiana, of being
in love with her. Mrs. Walters added, sadly, that Georgiana
came home in the fall engaged to that New York cousin. Hence the
sewing--he is to marry her in June.
I am _not_ in love with her. It is now four weeks since hearing
this conventional fiction, and every day I have been perfectly
able to repeat: "I am _not_ in love with Georgiana!" There was
one question which I put severely to Mrs. Walters: Had she told
Georgiana of my foolish talk? She shook her head violently, and
pressed her lips closely together, suggesting how impossible it
would be for the smallest monosyllable in the language to escape
by that channel; but she kept her eyes wide open, and the truth
issued from them, as smoke in a hollow tree, if stopped in at a
lower hole, simply rises and comes out at a higher one. "You should
have shut your eyes also," I said. "You have told her every word
of it, and the Lord only knows how much more."
This February has let loose its whole pack of grizzly sky-hounds.
Unbroken severe weather. Health has not returned as rapidly as was
promised, and I have not ventured outside the yard. But it is a
pleasure to chronicle the beginning of an acquaintanceship between
his proud eminence the young cardinal and myself. For a long time
he would have naught to do with me, fled as I approached, abandoned
the evergreens altogether and sat on the naked tree-tops, as much
as threatening to quit the place altogether if I did not leave him
in peace. Surely he is the shyest of his kind, and, to my fancy,
the most beautiful; and therefore Nature seems to have stored him
with extra caution towards archenemy.
But in the old human way I have taken advantage of his necessities.
The north wind has been by friend against him. I have called
in the aid of sleets and snows, have besieged him in his white
castle behind the glittering array of his icicles with threats of
starvation. So one day, dropping like a glowing coal down among
the other birds, he snatched a desperate hasty meal from the public
poor-house table that I had spread under the trees.
It is the first surrender that decides. Since then some progress
has been made in winning his confidence, but the struggle going on
in his nature is plain enough still. At times he will rush away
from me in utter terror; at others he lets me draw a little nearer,
a little nearer, without moving form a limb; and now, after a month
of persuasion, he begins to discredit the experience which he has
inherited from centuries upon centuries of ancestors. In all that
I have done I have tried to say to him: "Don't judge me by mankind
in general. With me you are safe. I pledge myself to defend you
from enemies, high and low."
This had not escaped the notice of Georgiana at the window, and more
than once she had let her work drop to watch my patient progress
and to bestow upon me a rewarding smile. Is there nearly always
sadness in it, or is the sadness in my eyes? If Georgiana's brother
is giving her trouble, I'd like to take a hand-axe to _his_ feet.
I suppose I shall never know whether he cut her foot in two. She
carries the left one a little peculiarly; but so many women do
that.
Sometimes, when the day's work is over and the servant is gone,
Georgiana comes to the window and looks away towards the sunsets
of winter, her hands clasped behind her back, her motionless figure
in relief against the darkness within, her face white and still.
Being in the shadow of my own room, so that she could not see me,
and knowing that I ought not to do it, but unable to resist, I have
softly taken up the spy-glass which I use in the study of birds,
and have drawn Georgiana's face nearer to me, holding it there
till she turns away. I have noted the traces of pain, and once
the tears which she could not keep back and was too proud to heed.
Then I have sat before my flickering embers, with I know not what
all but ungovernable yearning to be over there in the shadowy room
with her, and, whether she would or not, to fold my arms around
her, and, drawing her face against mine, whisper: "What is it
Georgiana? And why must it be?"
XIII
The fountains of the great deep opened. A new heaven, a new earth.
Georgiana has broken her engagement with her cousin. Mrs. Cobb let
it out in the strictest confidence to Mrs. Walters. Mrs. Walters,
with stricter confidence still, has told me only.
The West-Pointer had been writing for some months in regard to
the wild behavior of his cousin. This grew worse, and the crisis
came. Georgiana snapped her thread and put up her needle. He
travelled all the way down her to implore. I met him at the gate
as he left the house--a fine, straight, manly, handsome young
fellow, with his face pale with pain, and his eyes flashing with
anger--and bade him a long, affectionate, inward God-speed as he
hurried away. It was her father's influence. He had always wished
for this union. Ah, the evils that come to the living from the
wrongful wishes of the dead! Georgiana is so happy now, since she
has been forced to free herself, that spring in this part of the
United States seems to have advanced about half a month.
"What on earth will she do with all those clothes?" inquired Mrs.
Walters the other night, eying me with curious impressiveness.
"They ought to be hanged," I said, promptly.
There is a young scapegrace who passes my house morning and evening
with his cows. He has the predatory instincts of that being
who loves to call himself the image of his Maker, and more than
once has given annoyance, especially last year, when he robbed a
damson-tree of a brood of Baltimore orioles. This winter and spring
his friendly interest in my birds has increased, and several times
I have caught him skulking among the pines. Last night what should
I stumble on but a trap, baited and sprung, under the cedar-tree in
which the cardinal roosts. I was up before daybreak this morning.
Awhile after the waking of the birds here comes my young bird-thief,
creeping rapidly to his trap. As he stooped I had him by the
collar, and within the next five minutes I must have set up in his
nervous system a negative disposition to the caging of red-birds
that will descend as a positive tendency to all the generations of
his offspring.
All day this meditated outrage has kept my blood up. Think of this
beautiful cardinal beating his heart out against maddening bars, or
caged for life in some dark city street, lonely, sick, and silent,
bidden to sing joyously of that high world of light and liberty where
once he sported! Think of the exquisite refinement of cruelty in
wishing to take him on the eve of May!
It is hardly a fancy that something as loyal as friendship has
sprung up between this bird and me. I accept his original shyness
as a mark of his finer instincts; but, like the nobler natures,
when once he found it possible to give his confidence, how frankly
and fearlessly has it been given. The other day, brilliant, warm,
windless, I was tramping across the fields a mile from home, when I
heard him on the summit of a dead sycamore, cleaving the air with
stroke after stroke of his long melodious whistle, as with the swing
of a silken lash. When I drew near he dropped down from bough to
bough till he reached the lowest, a few feet from where I stood,
and showed by every movement how glad he was to see me. We really
have reached the understanding that the immemorial persecution
of his race by mine is ended; and now more than ever my fondness
settles about him, since I have found his happiness plotted against,
and have perhaps saved his very life. It would be easy to trap
him. His eye should be made to distrust every well-arranged pile
of sticks under which lurks a morsel.
To=night I called upon Georgiana and sketched the arrested tragedy
of the morning. She watched me curiously, and then dashed into a
little treatise on the celebrated friendships of man for the lower
creatures, in fact and fiction, from camels down to white mice.
Her father must have been a remarkably learned man. I didn't
like this. It made me somehow feel as though I were one of Asp's
Fables, or were being translated into English as that old school-room
horror of Androclus and the Lion. In the bottom of my soul I don't
believe that Georgiana cares for birds, or knows the difference
between a blackbird and a crow. I am going to send her a little
story, "The Passion of the Desert." Mrs. Walters is now confident
that Georgiana regrets having broken off her engagement. But then
Mrs. Walters can be a great fool when she puts her whole mind to
it.
XIV
In April I commence to scratch and dig in my garden.
To-day, as I was raking off my strawberry bed, Georgiana, whom I
have not seen since the night when she satirized me, called from
the window:
"What are you going to plant this year?"
"Oh, a little of everything," I answered, under my hat. "What are
_you_ going to plant this year?"
"Are you going to have many strawberries?"
"It's too soon to tell: they haven't bloomed yet. It's too soon
to tell when they _do_ bloom. Sometimes strawberries are like
women: Whole beds full of showy blossoms; but when the time comes
to be ripe and luscious, you can't find them."
"Indeed."
"'Tis true, 'tis pity."
I had always supposed that to a Southern gentleman woman was not a
berry but a rose. What does he hunt for in woman as much as bloom
and fragrance? But I don't belong to the rose-order of Southern
women myself. Sylvia does. Why did you send me that story?"
"Didn't you like it?"
"No. A woman couldn't care for a story about a man and a tigress.
Either she would feel that she was too much left out, or suspect
that she was too much put in. The same sort of story about a lion
and a woman--that would be better."
I raked in silence for a minute, and when I looked up Georgiana
was gone. I remember her saying once that children should be kept
tart; but now and then I fancy that she would like to keep even a
middle-aged man in brine. Who knows but that in the end I shall
sell my place to the Cobbs and move away?
Five more days of April, and then May! For the last half of this
light-and-shadow month, when the clouds, like schools of changeable
lovely creatures, seem to be playing and rushing away through the
waters of the sun, life to me has narrowed more and more to the
red-bird, who gets tamer and tamer with habit, and to Georgiana,
who gets wilder and wilder with happiness. The bird fills the yard
with brilliant singing; she fills her room with her low, clear
songs, hidden behind the window-curtains, which are now so much
oftener and so needlessly closed. I work myself nearly to death in
my garden, but she does not open them. The other day the red-bird
sat in a tree near by, and his notes floated out on the air like
scarlet streamers. Georgiana was singing, so low that I was making
no noise with my rake in order to hear; and when he began, before
I realized what I was doing, I had seized a brickbat and hurled
it, barely missing him, and driving him away. He did not know what
to make of it; neither did I; but as I raised my eyes I saw that
Georgiana had opened the curtains to listen to him, and was closing
them with her eyes on my face, and a look on hers that has haunted
me ever since.
April the 26th. It's of no use. To-morrow night I will go to see
Georgiana, and ask her to marry me.
April 28th. Man that is born of woman is of few days and full
of trouble. I am not the least sick, but I am not feeling at all
well. So have made a will, and left everything to Mrs. Walters.
She has been over five times to-day, and this evening sat by me a
long time, holding my hand and smoothing my forehead, and urging
me to try a cream poultice--a mustard-plaster--a bowl of gruel--a
broiled chicken.
I believe Georgiana thinks I'll ask her again. Not if I lived by
her through eternity! Thy rod and Thy staff--_they_ comfort me.
XV
A Poor devil will ask a woman to marry him. She will refuse him.
The day after she will meet him as serenely as if he had asked her
for a pin.
It is now May 15th, and I have not spoken to Georgians when I've
had a chance. She has been entirely too happy, to judge from her
singing, for me to get along with under the circumstances. But
this morning, as I was planting a hedge inside my fence under her
window, she leaned over and said, as though nothing were wrong
between us, "What are you planting?"
I have sometimes thought that Georgiana can ask more questions than
Socrates.
"A hedge."
"What for?"
"To grow."
"What do you want it to grow for?"
"My garden is too public. I wish to be protected from outsiders."
"Would it be the same thing if I were to nail up this window? That
would be so much quicker. It will be ten years before your hedge
is high enough to keep me from seeing you. And even then, you
know, I could move up-stairs. But I am so sorry to be an outsider."
"I merely remarked that I was planting a hedge."
When Georgiana spoke again her voice was lowered: "Would you open
a gateway for me into your garden, to be always mine, so that I
might go out and come in, and never another human soul enter it?"
Now Jacob had often begged me to cut _him_ a private gateway on
that side of the garden, so that only _he_ might come in and go
out; and I had refused, since I did not wish him to get to me so
easily with his complaints. Besides, a gate once opened, who may
not use it? and I was indignant that Georgiana should lightly ask
anything at my hands; therefore I looked quickly and sternly up at
her and said, "I will not."
Afterwards the thought rushed over me that she had not spoken of
any gateway through my garden fence, but of another one, mystical,
hidden, infinitely more sacred. For her voice descended almost in
a whisper, and her face, as she bent down towards me, had on it I
know not what angelic expression. She seemed floating to me from
heaven.
May 17th. To-day I put a little private gate through my fence
under Georgiana's window, as a sign to her. Balaam's beast that
I am! Yes, seven times more than the inspired ass.
As I passed to-day, I noticed Georgiana looking down at the gate
that I made yesterday. She held a flower to her nose and eyes,
but behind the leaves I detected that she was laughing.
"Good-morning!" she called to me. "What did you cut that ugly hole
in your fence for?"
"That's not an ugly hole. That's a little private gateway."
"But what's the little private gateway _for_?"
"Oh, well! You don't understand these matters. I'll tell your
mother."
"My mother is too old. She no longer stoops to such things. Tell
_me_!
"Impossible!"
"I'm dying to know!"
"What will you give me?"
"Anything--this flower!"
"But what would the flower stand for in that case? A little pri--"
"Nothing. Take it!" and she dropped it lightly on my face and
disappeared. As I stood twirling it ecstatically under my nose,
and wondering how I could get her to come back to the window, the
edge of a curtain was lifted, and a white hand stole out and softly
closed the shutters.
In the evening Sylvia went in to a concert of the school, which was
to be held at the Court-house, a chorus of girls being impaneled
in the jury-box, and the principal, who wears a little wig, taking
her seat on the woolsack. I promised to have the very pick of the
garden ready, and told Sylvia to come to the arbor the last thing
before starting. She wore big blue rosettes in her hair, and at
that twilight hour looked as lovely, soft, and pure as moonshine;
so that I lost control of myself and kissed her twice--once for
Georgiana and once for myself. Surely it must have been Sylvia's
first experience. I hope so. Yet she passed through it with the
composure of a graduate of several year's standing. But, then,
women inherit a great stock of fortitude from their mothers in
this regard, and perpetually add to it by their own dispositions.
Ought I to warn Georgiana--good heavens! in a general way, of
course--that Sylvia should be kept away from sugar, and well under
the influence of vulgar fractions?
It made me feel uncomfortable to see her go tripping out of her
front gate on the arm of a youth. Can it be possible the _he_ would
try to do what _I_ did? Men differ so in their virtues, and are
so alike in their transgressions. This forward gosling displayed
white duck pantaloons, brandished pumps on his feet, which looked
flat enough to have been webbed, and was scented as to his marital
locks with a far-reaching pestilence of bergamot and cinnamon.
After they were gone I strolled back to my arbor and sat down amid
the ruins of Sylvia's flowers. The nigh was mystically beautiful.
The moon seemed to me to be softly stealing down the sky to kiss
Endymion. I looked across towards Georgiana's window. She was
there, and I slipped over and stood under it.
"Georgiana," I whispered, "were you, too, looking at the moon?"
"Part of the time," she said, sourly. "Isn't it permitted?"
"Sylvia left her scissors in the arbor, and _I_ can't find them."
"_She'll_ find them to-morrow."
"If they get wet, you know, they'll rust."
"I keep something to take rust off."
"Georgiana, I've got something to tell you about Sylvia."
"What? That you kissed her?"
"N--o! Not _that_, exactly!"
"Good-night!"
May 21st. Again I asked Georgiana to be mine. I am a perfect fool
about her. But she's coming my way at last--God bless her!
May 24th. I renewed my suit to Georgiana.
May 27th. I besought Georgiana to hear me.
May 28th. For the last time I offered my hand in marriage to the
elder Miss Cobb. Now I am done with her forever. I am no fool.
May 29th. Oh, _damn_ Mrs. Walters!
XVI
This morning, the 3d of June, I went out to pick the first dish
of strawberries for my breakfast. As I was stooping down I heard
a timid, playful voice at the window like the echo of a year ago:
"Are you the gardener?"
Since Georgiana will not marry me, if she would only let me alone!
"Old man, are you the gardener?"
"Yes, I'm the gardener. I _know_ what _you_ are."
"How much do you ask for your strawberries?"
"They come high. _Nothing_ of mine is to be as cheap hereafter as
it has been."
"I am so glad--for your sake. I should like to possess _something_
of yours, but I suppose everything is too high now."
"Entirely too high!"
"If I only could have foreseen that there would be an increase of
value! As for me, I have felt that I am getting cheaper lately.
I may have to _give_ myself away soon. If I only knew of some one
who loved the lower animals."
"The fox, for instance?"
"Yes; do you know of any one who would accept the present of a
fox?"
"Ahem! I wouldn't mind having a _tame_ fox. I don't care much
for wild foxes."
"Oh, this one would get tame--in time."
"I don't believe I know of any one just at present."
"Very well. Sylvia will get the highest mark in arithmetic. And
Joe is distinguishing himself at West Point. That's what I wanted
to tell you. I'll send you over the cream and sugar, and hope you
will enjoy all your berries. _We_ shall buy some in the market-house
next week."
Later in the forenoon I sent the strawberries over to Georgiana.
I have a variety that is the shape of the human heart, and when
ripe it matches in color that brighter current of the heart through
which runs the hidden history of our passions. All over the top
of the dish I carefully laid these heart-shaped berries, and under
the biggest one, at the very top, I slipped this little note: "Look
at the shape of them, Georgiana! I send them all to you. They
are perishable."
This afternoon Georgiana sent back the empty dish, and inside the
napkin was this note: "They are exactly the shape and color of my
emery needle-bag. I have been polishing my needles in it for many
years."
Later, as I was walking to town, I met Georgiana and her mother
coming out. No explanation had ever been made to the mother of
that goose of a gate in our division fence; and as Georgiana had
declined to accept the sign, I determined to show her that the gate
could now stand for something else. So I said: "Mrs. Cobb, when
you send your servants over for green corn, you can let them come
through that little gate. It will be more convenient."
Only, I was so angry and confused that I called her Mrs. Corn,
and said that when she sent her little Cobbs over . . . my green
servants, etc.
After Georgiana's last treatment of me I resolved not to let her
talk to me out of her window. So about nine o'clock this morning
I took a Negro boy and set him to picking the berries, while I
stood by, directing him in a deep, manly voice as to the best way
of managing that intricate business. Presently I heard Georgiana
begin to sing to herself behind the curtains.
"Hurry up and fill that cup," I said to him, savagely. "And that
will do this morning. You can go to the mill. The meal's nearly
out."
When he was gone I called, in an undertone: "Georgiana! Come to
the window! Please! Oh, Georgiana!"
But the song went on. What was the matter? I could not endure
it. There was one way by which perhaps she could be brought. I
whistled long and loud again and again. The curtains parted a
little space.
"I was merely whistling to the _bird_," I said.
"I knew it," she answered, looking as I had never seen her.
"Whenever you speak to _him_ your voice is full of confidence and
of love. I believe in it and like to hear it."
"What do you mean, Georgiana?" I cried, imploringly.
"Ah, Adam!" she said, with a rush of feeling. It was the first time
she had ever called me by name. She bent her face down. Over it
there passed a look of sweetness and sadness indescribably blended.
"Ah, Adam! you have asked me many times to _marry_ you! Make me
believe once that you _love_ me! Make me feel that I could trust
myself to you for life!"
"What else can I do?" I answered, stirred to the deepest that was
in me, throwing my arms backward, and standing with an open breast
into which she might gaze.
And she did search my eyes and face in silence.
"What more," I cried again, "in God's name?"
She rested her face on her palm, looking thoughtfully across the
yard. Over there the red-bird was singing. Suddenly she leaned
down towards me. Love was on her face now. But her eyes held
mine with the determination to wrest from them the last truth they
might contain, and her voice trembled with doubt:
"Would you put the red-bird in a cage for me? Would you be willing
to do that for me, Adam?"
At those whimsical, cruel words I shall never be able to reveal
all that I felt--the surprise, the sorrow, the pain. Scenes of
boyhood flashed through my memory. A conscience built up through
years of experience stood close by me with admonition. I saw the
love on her face, the hope with which she hung upon my reply, as
though it would decide everything between us. I did not hesitate;
my hands dropped to my side, the warmth died out of my heart as
out of spent ashes, and I answered her, with cold reproach,
"I--will--not!"
The color died out of her face also. Her eyes still rested on
mine, but now with pitying sadness.
"I feared it," she murmured, audibly, but to herself, and the
curtains fell together.
Four days have passed. Georgiana has cast me off. Her curtains
are closed except when she is not there. I have tried to see her;
she excuses herself. I have written; my letters come back unread.
I have lain in wait for her on the streets; she will not talk with
me. The tie between us has been severed. With her it could never
have been affection.
And for what? I ask myself over and over and over--for what? Was
she jealous of the bird, and did she require that I should put it
out of the way? Sometimes women do that. Did she take that means
of forcing me to a test? Women do that. Did she wish to show
her power over me, demanding the one thing she knew would be the
hardest for me to grant? Women do that. Did she crave the pleasure
of seeing me do wrong to humor her caprice? Women do that. But
not one these things can I even associate with the thought of
Georgiana. I have in every way to have her explain, to explain
myself. She will neither give nor receive an explanation.
I had supposed that her unnatural request would have been the end
of my love, but it has not; that her treatment since would have
fatally stung my pride, but it has not. I understand neither; forgive
both; love her now with that added pain which comes from a man's
discovering that the woman dearest to him must be pardoned--pardoned
as long as he shall live.
Never since have I been able to look at the red-bird with the old
gladness. He is the reminder of my loss. Reminder? Do I ever
forget? Am I not thinking of that before his notes lash my memory
at dawn? All day can they do more than furrow deeper the channel
of unforgetfulness? Little does he dream what my friendship for
him has cost me. But this solace I have at heart--that I was not
even tempted to betray him.
Three days more have passed. No sign yet that Georgiana will
relent soon or ever. Each day the strain becomes harder to bear.
My mind has dwelt upon my last meeting with her, until the truth
about it weavers upon my memory like vague, uncertain shadows.
She doubted my love for her. What proof was it she demanded? I
must stop looking at the red-bird, lying here and there under the
trees, and listening to him as he sings above me. My eyes devour
him whenever he crosses my path with an uncomprehended fascination
that is pain. How gentle he has become, and how, without intending
it, I have deepened the perils of his life by the very gentleness
that I have brought upon him. Twice already the fate of his species
has struck at him, but I have pledged myself to be his friend.
This is his happiest season; a few days now, and he will hear the
call of his young in the nest.
I shut myself in my workshop in the yard this morning. I did not
wish my servants to know. In there I made a bird-trap such as I
had often used when a boy. And late this afternoon I went to town
and bought a bird-cage. I was afraid the merchant would misjudge
me, and explained. He scanned my face silently. To-morrow I will
snare the red-bird down behind the pines long enough to impress on
his memory a life-long suspicion of every such artifice, and then
I will set him free again in his wide world of light. Above all
things, I must see to it that he does not wound himself or have
the least feather broken.
It is far past midnight now, and I have not slept or wished for
slumber.
Constantly since darkness came on I have been watching Georgiana's
window for the light of her candle, but there has been no kindly
glimmer yet. The only radiance shed upon the gloom outside comes
from the heavens. Great cage-shaped white clouds are swung up to
the firmament, and within these pale, gentle, imprisoned lightnings
flutter feebly to escape, fall back, rise, and try again and again,
and fail.
. . . _A little after dark this evening I carried the red-bird
over to Georgiana_. . . .
I have seen her so little of late that I did not know she had
been away from home for days. But she expected to-night, or, at
furthest, to-morrow morning. I left the bird with the servant at
the door, who could hardly believe what he saw. As I passed out
of my front gate on my way there, the boy who returns about that
time from the pasture for his cows joined me as I hurried along,
attracted by the fluttering of the bird in the cage.
"Is it the red-bird? _I_ tried to ketch him once," he said,
with entire forgiveness of me, as having served him right, "but
I caught something else. I'll never forget _that_ whipping. Oh,
but _wouldn't_ I like to have him! Mr. Moss, you wouldn't mind
my trying to ketch one of them little bits o' brown fellows, would
you, that hops around under them pine-trees? They ain't no account
to nobody. Oh my! but _wouldn't_ I like to have him! May I bring
_my_ trap some time, and will you help me to ketch one o' them
little bits o' brown ones? You can beat _me_ ketchin' 'em!"
Several times to-night I have gone across and listened under
Georgiana's window. The servant must have set the cage in her
room, for, as I listened, I am sure I heard the red-bird beating
his head and breast against the wires. Awhile ago I went again,
and did not hear him. I waited a long time. . . . _He may
be quieted_. . . .
Ah, if any one had said to me that I would ever do what I have
done, with what full, deep joy could I have throttled the lie in
his throat! I put the trap under one of the trees where I have
been used to feed him. When it fell he was not greatly frightened.
He clutched the side of it, and looked out at me. My own mind supplied
his words: "Help! I'm caught! Take me out! You promised!" When
I transferred him to the cage, for a moment his confidence lasted
still. He mounted the perch, shook his plumage, and spoke out
bravely and cheerily. Then all at once came on the terror.
The dawn came on this morning with its old splendor. The birds
in my yard, as of old, poured forth their songs. But those loud,
long, clear, melodious, deep-hearted, passionate, best-loved notes!
As the chorus swelled from shadowy shrubs and vines to the sparking
tree-tops I listened for some sound from Georgiana's room, but over
there I saw only the soft, slow flapping of the white curtains like
signals of distress.
Towards ten o'clock, wandering restless, I snatched up a book, which
I had no wish to read, and went to the arbor where I had so often
discoursed to Sylvia about children's cruelty to birds. Through
the fluttering leaves the sunlight dripped as a weightless shower
of gold, and the long pendants of young fruit swayed gently in
their cool waxen greenness. Where some rotting planks crossed the
top of the arbor a blue-jay sat on her coarse nest; and presently
the mate flew to her with a worm, and then talked to her in a low
voice, as much as saying that they must now leave the place forever.
I was thinking how love softens even the voice of this file-throated
screamer, when along the garden walk came the rustle of a woman's
clothes, and, springing up, I stood face to face with Georgiana.
"What have you done?" she implored.
"What have _you_ done? I answered as quickly.
"Oh, Adam, _Adam_! You have killed it! How could you? How could
you?"
". . . Is he dead, Georgiana? Is he dead?. . ."
I forgot everything else, and pulling my hat down over my eyes,
turned from her in the helpless shock of silence that came with
those irreparable words.
Then in ungovernable anger, suffering, remorse, I turned upon her
where she sat: "It is _you_ who killed him! Why do you come here
to blame me? And now you pretend to be sorry. You felt no pity
when pity would have done some good. Trifler! Hypocrite!
"It is false!" she cried, her words flashing from her whole
countenance, her form drawn up to repel the shock of the blow.
"Did you not ask me for him?"
"No!"
"Oh, deny it all! It is a falsehood--invented by me on the spot.
You know nothing of it! You did not ask me to do this! And when
I have yielded, you have not run to reproach me here and to cry,
'How could you? How could you?'"
"No! No! Every word of it--"
"Untruth added to it all! Oh, that I should have been so deceived,
blinded, taken in!"
"Adam!"
"Lovely innocence! It is too much! Go away!"
"I will not _stand_ this any longer!" she cried. "I _will_ go
away; but not till I have told you why I have acted as I have."
"It is too late for that! I do not care to hear!"
"Then you _shall_ hear!" she replied. "You shall know that it is
because I have believed you capable of speaking to me as you have
just spoken; believed you at heart unsparing and unjust. You think
I asked you to do what you have done? No! I asked you whether
you would be willing to do it; and when you said you would _not_,
I saw then--by your voice, your eyes, your whole face and manner--that
you _would_. Saw it as plainly at that moment, in spite of your
denial, as I see it now--the cruelty in you, the unfaithfulness,
the willingness to betray. It was for _this_ reason--not because
I heard you refuse, but because I saw you consent--that I could
not forgive you."
She paused abruptly and looked across into my face. What she may
now have read in it I do not know. Then anger swept her on:
"How often had I not heard you bitter and contemptuous towards
people because _they_ are treacherous, cruel! How often have you
talked of _your_ love of nature, of _our_ inhumanity towards lower
creatures! But what have _you_ done?
"You set your fancy upon one of these creatures, lie in wait for
it, beset it with kindness, persevere in overcoming its wildness.
You are amused, delighted, proud of your success. One day--you
remember?--it sang as you had always wished to hear it. It annoyed
you, and you threw a stone at it. With a little less angry aim
you would have killed it. I have never seen anything more inhuman.
How do I know that some day you would not be tired of me, and throw
a stone at _me_? When a woman submits to this once, she will have
them thrown at her whenever she sings at the wrong time, and she
will never know when the right time is.
"Then you thought you were asked to sacrifice it, and now you have
done that. How do I know that some day you might not be tempted
to sacrifice me?" She paused, her voice breaking, and remained
silent, as if unable to get beyond that thought.
"If you have finished," I said, very quietly, "I have something to
say to you, and we need not meet after this.
"I trapped the _bird_; you trapped _me_. I understood you to ask
something of me, to cast me off when I refused it. Such was my
faith in you that beneath your words I did not look for a snare. How
hard it was for me to forgive you what you asked is my own affair
now; but forgive you I did. How hard it was to grant it, that also
is now, and will always be, my own secret. I beg you merely to
believe this: knowing it to be all that you have described--and
far more than you can ever understand--still, I did it. Had you
demanded of me something worse, I should have granted that. If
you think a man will not do wrong for a woman, you are mistaken.
If you think men always love the wrong that they do for the women
whom they love, you are mistaken again.
"You have held up my faults to me. I knew them before. I have
not loved them. Do not think that I am trying to make a virtue out
of anything I say; but in all my thoughts of you there has been no
fault of yours that I have not hidden from my sight, and have not
resolved as best I could never to see. Yet do not dream that I
have found you faultless.
"You fear I might sacrifice you to something else. It is possible.
Every man resists temptation only to a certain point; every man
has his price. It is a risk you will run with any.
"If you doubt that a man is capable of sacrificing one thing that
he loves to another that he loves more, tempt him, lie in wait for
his weakness, ensnare him in the toils of his greater passion, and
learn the truth.
"I make no defence--believe all that you say. But had you loved
me, I might have been all this, and it would have been nothing."
With this I walked slowly out of the arbor, but Georgiana stood
beside me. Her light touch was on my arm.
"Let me see things clearly!"
"You have a lifetime in which to see things clearly," I answered.
"How can that concern me now?" And I passed on into the house.
During the morning I wandered restless. For a while I lay on the
grass down behind the pines. How deep and clear are the covered
springs of memory! All at once it was a morning in my boyhood on
my father's farm. I, a little Saul of Tarsus among the birds, was
on my way to the hedge-rows and woods, as to Damascus, breathing
out threatenings and slaughter. Then suddenly the childish miracle,
which no doubt had been preparing silently within my nature, wrought
itself out; for from the distant forest trees, from the old orchard,
from thicket and fence, from the wide green meadows, and down out
of the depths of the blue sky itself, a vast chorus of innocent
creatures sang to my newly opened ears the same words: "Why
persecutest thou me?" One sang it with indignation; another with
remonstrance; still another with resignation; others yet with
ethereal sadness or wild elusive pain. Once more the house-wren
aloud, "_per-se-cu-test--per-se-cu-test--per-se-cu-test--per-se-cu-test_!"
And as I peeped into the brush-pile, again the brown thrush, building
within, said, "_thou--thou--thou_!"
Through all the years since I had thought myself changed, and craved
no greater glory than to be accounted the chief of their apostles.
But now I was stained once more with the old guilt, and once more
I could hear the birds in my yard singing that old, old chorus
against man's inhumanity.
Towards the middle of the afternoon I went away across the country--by
any direction; I cared not what. On my way back I passed through
a large rear lot belonging to my neighbors, and adjoining my own,
in which is my stable. There has lately been imported into this
part of Kentucky from England the much-prized breed of the beautiful
white Berkshire. As I crossed the lot, near the milk-trough,
ash-heap, and paring of fruit and vegetables thrown from my neighbor's
kitchen, I saw a litter of these pigs having their awkward sport
over some strange red plaything, which one after another of them
would shake with all its might, root and tear at, or tread into
greater shapelessness. It was all there was left of him.
I entered my long yard. If I could have been spared the sight
of that! The sun was setting. Around me was the last peace and
beauty of the world. Through a narrow avenue of trees I could see
my house, and on its clustering vines fell the angry red of the
sun darting across the cool green fields.
The last hour of light touches the birds as it touches us. When
they sing in the morning, it is with the happiness of the earth;
but as the shadows fall strangely about them, and the helplessness
of the night comes on, their voices seem to be lifted up like the
loftiest poetry of the human spirit, with sympathy for realities
and mysteries past all understanding.
A great choir was hymning now. On the tops of the sweet old
honeysuckles the cat-birds; robins in the low boughs of maples; on
the high limb of the elm the silvery-throated lark, who had stopped
as he passed from meadow to meadow; on a fence rail of the distant
wheat-field the quail--and many another. I walked to and fro,
receiving the voice of each as a spear hurled at my body. The sun
sank. The shadows rushed on and deepened. Suddenly, as I turned
once more in my path, I caught sight of the figure of Georgiana
moving straight towards me from the direction of the garden. She
was bareheaded, dressed in white; and she advanced over the smooth
lawn, through evergreens and shrubs, with a gentle grace and dignity
of movement such as I had never beheld. I kept my weary pace, and
when she came up I did not lift my eyes.
"Adam!" she said, with gentle reproach. I stood still then, but
with my face turned away.
"Forgive me!" All girlishness was gone out of her voice. It was
the woman at last.
I turned my face farther from her, and we stood in silence.
"I have suffered enough, Adam," she pleaded.
I answered quietly, doggedly, for there was nothing left in me to
appeal to:
"I am glad we can part kindly. . . . Neither of us may care much
for the kindness now, but we will not be sorry hereafter. . . .
The quarrels, the mistakes, the right and the wrong of our lives,
the misunderstandings--they are so strange, so pitiful, so full of
pain, and come so soon to nothing." And I lifted my hat, and took
the path towards my house.
There was a point ahead where it divided, the other branch leading
towards the little private gate through which Georgiana had come.
Just before reaching the porch I looked that way, with the idea
that I should see Georgiana's white figure moving across the lawn;
but I discovered that she was following me. Mounting my door-steps,
I turned. She had paused on the threshold. I waited. At length
she said, in a voice low and sorrowful:
"And you are not going to forgive me, Adam?"
"I _do_ forgive you!" The silence fell and lasted. I no longer
saw her face. At last her despairing voice barely reached me again:
"And--is--_that_--all?"
I had no answer to make, and sternly waited for her to go.
A moment longer she lingered, then turned slowly away; and I watched
her figure growing fainter and fainter till it was lost. I sprang
after her; my voice rang out hollow, and broke with terror and pain
and longing:
"Georgiana! Georgiana!"
"Oh, Adam, _Adam_!" I heard her cry, with low, piercing tenderness,
as she ran back to me through the darkness.
When we separated we lighted fresh candles and set them in our
windows, to burn a pure pathway of flame across the intervening
void. Henceforth we are like poor little foolish children, so
sick and lonesome in the night without one another. Happy, happy
night to come when one short candle will do for us both!
. . . Ah, but the long, long silence of the trees! . . .
***END OF THE PROJECT GUTENBERG EBOOK A KENTUCKY CARDINAL***
******* This file should be named 11532.txt or 11532.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/1/5/3/11532
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
http://www.ibiblio.org/gutenberg/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
http://www.gutenberg.net/1/0/2/3/10234
or filename 24689 would be found at:
http://www.gutenberg.net/2/4/6/8/24689
An alternative method of locating eBooks:
http://www.gutenberg.net/GUTINDEX.ALL
*** END: FULL LICENSE ***
Livros Grátis
( http://www.livrosgratis.com.br )
Milhares de Livros para Download:
Baixar livros de Administração
Baixar livros de Agronomia
Baixar livros de Arquitetura
Baixar livros de Artes
Baixar livros de Astronomia
Baixar livros de Biologia Geral
Baixar livros de Ciência da Computação
Baixar livros de Ciência da Informação
Baixar livros de Ciência Política
Baixar livros de Ciências da Saúde
Baixar livros de Comunicação
Baixar livros do Conselho Nacional de Educação - CNE
Baixar livros de Defesa civil
Baixar livros de Direito
Baixar livros de Direitos humanos
Baixar livros de Economia
Baixar livros de Economia Doméstica
Baixar livros de Educação
Baixar livros de Educação - Trânsito
Baixar livros de Educação Física
Baixar livros de Engenharia Aeroespacial
Baixar livros de Farmácia
Baixar livros de Filosofia
Baixar livros de Física
Baixar livros de Geociências
Baixar livros de Geografia
Baixar livros de História
Baixar livros de Línguas
Baixar livros de Literatura
Baixar livros de Literatura de Cordel
Baixar livros de Literatura Infantil
Baixar livros de Matemática
Baixar livros de Medicina
Baixar livros de Medicina Veterinária
Baixar livros de Meio Ambiente
Baixar livros de Meteorologia
Baixar Monografias e TCC
Baixar livros Multidisciplinar
Baixar livros de Música
Baixar livros de Psicologia
Baixar livros de Química
Baixar livros de Saúde Coletiva
Baixar livros de Serviço Social
Baixar livros de Sociologia
Baixar livros de Teologia
Baixar livros de Trabalho
Baixar livros de Turismo
