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No Story
O Henry
To avoid having this book hurled into corner of the room by the suspicious reader, I will
assert in time that this is not a newspaper story. You will encounter no shirt-sleeved,
omniscient city editor, no prodigy "cub" reporter just off the farm, no scoop, no story--no
anything.
But if you will concede me the setting of the first scene in the reporters' room of the
Morning Beacon, I will repay the favor by keeping strictly my promises set forth above.
I was doing space-work on the Beacon, hoping to be put on a salary. Some one had cleared
with a rake or a shovel a small space for me at the end of a long table piled high with
exchanges, Congressional Records, and old files. There I did my work. I wrote whatever the
city whispered or roared or chuckled to me on my diligent wanderings about its streets. My
income was not regular.
One day Tripp came in and leaned on my table. Tripp was something in the mechanical
department--I think he had something to do with the pictures, for he smelled of
photographers' supplies, and his hands were always stained and cut up with acids. He was
about twenty-five and looked forty. Half of his face was covered with short, curly red
whiskers that looked like a door-mat with the "welcome" left off. He was pale and
unhealthy and miserable and fawning, and an assiduous borrower of sums ranging from
twenty-five cents to a dollar. One dollar was his limit. He knew the extent of his credit as
well as the Chemical National Bank knows the amount of H20 that collateral will show on
analysis. When he sat on my table he held one hand with the other to keep both from
shaking. Whiskey. He had a spurious air of lightness and bravado about him that deceived
no one, but was useful in his borrowing because it was so pitifully and perceptibly assumed.
This day I had coaxed from the cashier five shining silver dollars as a grumbling advance
on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace
with the world, at least an armistice had been declared; and I was beginning with ardor to
write a description of the Brooklyn Bridge by moonlight.
"Well, Tripp," said I, looking up at him rather impatiently, "how goes it?" He was looking
to-day more miserable, more cringing and haggard and downtrodden than I had ever seen
him. He was at that stage of misery where he drew your pity so fully that you longed to kick
him.
"Have you got a dollar?" asked Tripp, with his most fawning look and his dog-like eyes that
blinked in the narrow space between his high- growing matted beard and his low-growing
matted hair.
"I have," said I; and again I said, "I have," more loudly and inhospitably, "and four besides.
And I had hard work corkscrewing them out of old Atkinson, I can tell you. And I drew
them," I continued, "to meet a want--a hiatus--a demand--a need--an exigency--a
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requirement of exactly five dollars."
I was driven to emphasis by the premonition that I was to lose one of the dollars on the
spot.
"I don't want to borrow any," said Tripp, and I breathed again. "I thought you'd like to get
put onto a good story," he went on. "I've got a rattling fine one for you. You ought to make
it run a column at least. It'll make a dandy if you work it up right. It'll probably cost you a
dollar or two to get the stuff. I don't want anything out of it myself."
I became placated. The proposition showed that Tripp appreciated past favors, although he
did not return them. If he had been wise enough to strike me for a quarter then he would
have got it.
"What is the story ?" I asked, poising my pencil with a finely calculated editorial air.
"I'll tell you," said Tripp. "It's a girl. A beauty. One of the howlingest Amsden's Junes you
ever saw. Rosebuds covered with dew- violets in their mossy bed--and truck like that. She's
lived on Long Island twenty years and never saw New York City before. I ran against her on
Thirty-fourth Street. She'd just got in on the East River ferry. I tell you, she's a beauty that
would take the hydrogen out of all the peroxides in the world. She stopped me on the street
and asked me where she could find George Brown. Asked me where she could find George
Brown in New York City! What do you think of that?
"I talked to her, and found that she was going to marry a young farmer named Dodd--Hiram
Dodd--next week. But it seems that George Brown still holds the championship in her
youthful fancy. George had greased his cowhide boots some years ago, and came to the city
to make his fortune. But he forgot to remember to show up again at Greenburg, and Hiram
got in as second-best choice. But when it comes to the scratch Ada--her name's Ada
Lowery--saddles a nag and rides eight miles to the railroad station and catches the 6.45
A.M. train for the city. Looking for George, you know--you understand about women--
George wasn't there, so she wanted him.
"Well, you know, I couldn't leave her loose in Wolftown-on-the-Hudson. I suppose she
thought the first person she inquired of would say: 'George Brown ?--why, yes--lemme
see--he's a short man with light-blue eyes, ain't he? Oh yes--you'll find George on One
Hundred and Twenty- fifth Street, right next to the grocery. He's bill-clerk in a saddle- and-
harness store.' That's about how innocent and beautiful she is. You know those little Long
Island water-front villages like Greenburg- -a couple of duck-farms for sport, and clams and
about nine summer visitors for industries. That's the kind of a place she comes from. But,
say--you ought to see her!
"What could I do? I don't know what money looks like in the morning. And she'd paid her
last cent of pocket-money for her railroad ticket except a quarter, which she had squandered
on gum-drops. She was eating them out of a paper bag. I took her to a boarding-house on
Thirty-second Street where I used to live, and hocked her. She's in soak for a dollar. That's
old Mother McGinnis' price per day. I'll show you the house."
"What words are these, Tripp?" said I. "I thought you said you had a story. Every ferryboat
ads:
that crosses the East River brings or takes away girls from Long Island."
The premature lines on Tripp's face grew deeper. He frowned seriously from his tangle of
hair. He separated his hands and emphasized his answer with one shaking forefinger.
"Can't you see," he said, "what a rattling fine story it would make? You could do it fine. All
about the romance, you know, and describe the girl, and put a lot of stuff in it about true
love, and sling in a few stickfuls of funny business--joshing the Long Islanders about being
green, and, well--you know how to do it. You ought to get fifteen dollars out of it, anyhow.
And it'll. cost you only about four dollars. You'll make a clear profit of eleven."
"How will it cost me four dollars?" I asked, suspiciously.
"One dollar to Mrs. McGinnis," Tripp answered, promptly, "and two dollars to pay the girl's
fare back home."
"And the fourth dimension?" I inquired, making a rapid mental calculation.
"One dollar to me," said Tripp. "For whiskey. Are you on?"
I smiled enigmatically and spread my elbows as if to begin writing again. But this grim,
abject, specious, subservient, burr-like wreck of a man would not be shaken off. His
forehead suddenly became shiningly moist.
"Don't you see," he said, with a sort of desperate calmness, "that this girl has got to be sent
home to-day--not to-night nor to-morrow, but to-day? I can't do anything for her. You
know, I'm the janitor and corresponding secretary of the Down-and-Out Club.. I thought
you could make a newspaper story out of it and win out a piece of money on general results.
But, anyhow, don't you see that she's got to get back home before night?"
And then I began to feel that dull, leaden, soul-depressing sensation known as the sense of
duty. Why should that sense fall upon one as a weight and a burden? I knew that I was
doomed that day to give up the bulk of my store of hard-wrung coin to the relief of this Ada
Lowery. But I swore to myself that Tripp's whiskey dollar would not be forthcoming. He
might play knight-errant at my expense, but he would indulge in no wassail afterward,
commemorating my weakness and gullibility. In a kind of chilly anger I put on my coat and
hat.
Tripp, submissive, cringing, vainly endeavoring to please, conducted me via the street-cars
to the human pawn-shop of Mother McGinnis. I paid the fares. It seemed that the collodion-
scented Don Quixote and the smallest minted coin were strangers.
Tripp pulled the bell at the door of the mouldly red-brick boarding- house. At its faint tinkle
he paled, and crouched as a rabbit makes ready to spring away at the sound of a hunting-
dog. I guessed what a life he had led, terror-haunted by the coming footsteps of landladies.
"Give me one of the dollars--quick!" he said.
The door opened six inches. Mother McGinnis stood there with white eyes--they were
white, I say--and a yellow face, holding together at her throat with one hand a dingy pink
flannel dressing-sack. Tripp thrust the dollar through the space without a word, and it
bought us entry.
"She's in the parlor," said the McGinnis, turning the back of her sack upon us.
In the dim parlor a girl sat at the cracked marble centre-table weeping comfortably and
eating gum-drops. She was a flawless beauty. Crying had only made her brilliant eyes
brighter. When she crunched a gum-drop you thought only of the poetry of motion and
envied the senseless confection. Eve at the age of five minutes must have been a ringer for
Miss Ada Lowery at nineteen or twenty. I was introduced, and a gum-drop suffered neglect
while she conveyed to me a naive interest, such as a puppy dog (a prize winner) might
bestow upon a crawling beetle or a frog.
Tripp took his stand by the table, with the fingers of one hand spread upon it, as an attorney
or a master of ceremonies might have stood. But he looked the master of nothing. His faded
coat was buttoned high, as if it sought to be charitable to deficiencies of tie and linen.
I thought of a Scotch terrier at the sight of his shifty eyes in the glade between his tangled
hair and beard. For one ignoble moment I felt ashamed of having been introduced as his
friend in the presence of so much beauty in distress. But evidently Tripp meant to conduct
the ceremonies, whatever they might be. I thought I detected in his actions and pose an
intention of foisting the situation upon me as material for a newspaper story, in a lingering
hope of extracting from me his whiskey dollar.
"My friend" (I shuddered), "Mr. Chalmers," said Tripp, "will tell you, Miss Lowery, the
same that I did. He's a reporter, and he can hand out the talk better than I can. That's why I
brought him with me." (0 Tripp, wasn't it the silver-tongued orator you wanted?) "He's wise
to a lot of things, and he'll tell you now what's best to do."
I stood on one foot, as it were, as I sat in my rickety chair.
"Why--er--Miss Lowery," I began, secretly enraged at Tripp's awkward opening, "I am at
your service, of course, but--er--as I haven't been apprized of the circumstances of the case,
I--er--"
"Oh," said Miss Lowery, beaming for a moment, "it ain't as bad as that--there ain't any
circumstances. It's the first time I've ever been in New York except once when I was five
years old, and I had no idea it was such a big town. And I met Mr.--Mr. Snip on the street
and asked him about a friend of mine, and he brought me here and asked me to wait."
"I advise you, Miss Lowery," said Tripp, "to tell Mr. Chalmers all. He's a friend of mine" (I
was getting used to it by this time), "and he'll give you the right tip."
"Why, certainly," said Miss Ada, chewing a gum-drop toward me. "There ain't anything to
tell except that--well, everything's fixed for me to marry Hiram Dodd next Thursday
evening. Hi has got two hundred acres of land with a lot of shore-front, and one of the best
truck-farms on the Island. But this morning I had my horse saddled up--he's a white horse
named Dancer--and I rode over to the station. I told 'em at home I was going to spend the
day with Susie Adams. It was a story, I guess, but I don't care. And I came to New York on
the train, and I met Mr.--Mr. Flip on the street and asked him if he knew where I could find
G--G--"
"Now, Miss Lowery," broke in Tripp, loudly, and with much bad taste, I thought, as she
hesitated with her word, "you like this young man, Hiram Dodd, don't you? He's all right,
and good to you, ain't he?"
"Of course I like him," said Miss Lowery emphatically. "Hi's all right. And of course he's
good to me. So is everybody."
I could have sworn it myself. Throughout Miss Ada Lowery's life all men would be to good
to her. They would strive, contrive, struggle, and compete to hold umbrellas over her hat,
check her trunk, pick up her handkerchief, buy for her soda at the fountain.
"But," went on Miss Lowery, "last night got to thinking about G-- George, and I--"
Down went the bright gold head upon dimpled, clasped hands on the table. Such a beautiful
April storm! Unrestrainedly sobbed. I wished I could have comforted her. But I was not
George. And I was glad I was not Hiram--and yet I was sorry, too.
By-and-by the shower passed. She straightened up, brave and half-way smiling. She would
have made a splendid wife, for crying only made her eyes more bright and tender. She took
a gum-drop and began her story.
"I guess I'm a terrible hayseed," she said between her little gulps and sighs, "but I can't help
it. G--George Brown and I were sweet- hearts since he was eight and I was five. When he
was nineteen--that was four years ago--he left Greenburg and went to the city. He said he
was going to be a policeman or a railroad president or something. And then he was coming
back for me. But I never heard from him any more. And I--I--liked him."
Another flow of tears seemed imminent, but Tripp hurled himself into the crevasse and
dammed it. Confound him, I could see his game. He was trying to make a story of it for his
sordid ends and profit.
"Go on, Mr. Chalmers," said he, "and tell the lady what's the proper caper. That's what I told
her--you'd hand it to her straight. Spiel up."
I coughed, and tried to feel less wrathful toward Tripp. I saw my duty. Cunningly I had been
inveigled, but I was securely trapped. Tripp's first dictum to me had been just and correct.
The young lady must be sent back to Greenburg that day. She must be argued with,
convinced, assured, instructed, ticketed, and returned without delay. I hated Hiram and
despised George; but duty must be done.
Noblesse oblige and only five silver dollars are not strictly romantic compatibles, but
sometimes they can be made to jibe. It was mine to be Sir Oracle, and then pay the freight.
So I assumed an air that mingled Solomon's with that of the general passenger agent of the
Long Island Railroad.
"Miss Lowery," said I, as impressively as I could, "life is rather a queer proposition, after
all." There was a familiar sound to these words after I had spoken them, and I hoped Miss
Lowery had never heard Mr. Cohan's song. "Those whom we first love we seldom wed. Our
earlier romances, tinged with the magic radiance of youth, often fail to materialize." The
last three words sounded somewhat trite when they struck the air. "But those fondly
cherished dreams," I went on, "may cast a pleasant afterglow on our future lives, however
impracticable and vague they may have been. But life is full of realities as well as visions
and dreams. One cannot live on memories. May I ask, Miss Lowery, if you think you could
pass a happy--that is, a contented and harmonious life with Mr.-er--Dodd--if in other ways
than romantic recollections he seems to--er--fill the bill, as I might say?"
"Oh, Hi's all right," answered Miss Lowery. "Yes, I could get along with him fine. He's
promised me an automobile and a motor-boat. But somehow, when it got so close to the
time I was to marry him, I couldn't help wishing--well, just thinking about George.
Something must have happened to him or he'd have written. On the day he left, he and me
got a hammer and a chisel and cut a dime into two pieces. I took one piece and he took the
other, and we promised to be true to each other and always keep the pieces till we saw each
other again. I've got mine at home now in a ring-box in the top drawer of my dresser. I
guess I was silly to come up here looking for him. I never realized what a big place it is."
And then Tripp joined in with a little grating laugh that he had, still trying to drag in a little
story or drama to earn the miserable dollar that he craved.
"Oh, the boys from the country forget a lot when they come to the city and learn something.
I guess George, maybe, is on the bum, or got roped in by some other girl, or maybe gone to
the dogs on account of whiskey or the races. You listen to Mr. Chalmers and go back home,
and you'll be all right."
But now the time was come for action, for the hands of the clock were moving close to
noon. Frowning upon Tripp, I argued gently and philosophically with Miss Lowery,
delicately convincing her of the importance of returning home at once. And I impressed
upon her the truth that it would not be absolutely necessary to her future happiness that she
mention to Hi the wonders or the fact of her visit to the city that had swallowed up the
unlucky George.
She said she had left her horse (unfortunate Rosinante) tied to a tree near the railroad
station. Tripp and I gave her instructions to mount the patient steed as soon as she arrived
and ride home as fast as possible. There she was to recount the exciting adventure of a day
spent with Susie Adams. She could "fix" Susie--I was sure of that-- and all would be well.
And then, being susceptible to the barbed arrows of beauty, I warmed to the adventure. The
three of us hurried to the ferry, and there I found the price of a ticket to Greenburg to be but
a dollar and eighty cents. I bought one, and a red, red rose with the twenty cents for Miss
Lowery. We saw her aboard her ferryboat, and stood watching her wave her handkerchief at
us until it was the tiniest white patch imaginable. And then Tripp and I faced each other,
brought back to earth, left dry and desolate in the shade of the sombre verities of life.
The spell wrought by beauty and romance was dwindling. I looked at Tripp and almost
sneered. He looked more careworn, contemptible, and disreputable than ever. I fingered the
two silver dollars remaining in my pocket and looked at him with the half-closed eyelids of
contempt. He mustered up an imitation of resistance.
"Can't you get a story out of it?" he asked, huskily. "Some sort of a story, even if you have
to fake part of it?"
"Not a line," said I. "I can fancy the look on Grimes' face if I should try to put over any
slush like this. But we've helped the little lady out, and that'll have to be our only reward."
"I'm sorry," said Tripp, almost inaudibly. "I'm sorry you're out your money. Now, it seemed
to me like a find of a big story, you know-- that is, a sort of thing that would write up pretty
well."
"Let's try to forget it," said I, with a praiseworthy attempt at gayety, "and take the next car
'cross town."
I steeled myself against his unexpressed but palpable desire. He should not coax, cajole, or
wring from me the dollar he craved. I had had enough of that wild-goose chase.
Tripp feebly unbuttoned his coat of the faded pattern and glossy seams to reach for
something that had once been a handkerchief deep down in some obscure and cavernous
pocket. As he did so I caught the shine of a cheap silver-plated watch-chain across his vest,
and something dangling from it caused me to stretch forth my hand and seize it curiously. It
was the half of a silver dime that had been cut in halves with a chisel.
"What!" I said, looking at him keenly.
"Oh yes," he responded, dully. "George Brown, alias Tripp. what's the use?"
Barring the W. C. T. U., I'd like to know if anybody disapproves of my having produced
promptly from my pocket Tripp's whiskey dollar and unhesitatingly laying it in his hand.
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